To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Editor Jeremiah O’Driscoll (The Polar Express, F

November 13, 2019, 02:06 PM

https://www.youtube.com/watch?v=ucXdTJTmA4I

Jeremiah O’Driscoll on how his experience fixing camera equipment at NYU led him to the cutting room. https://www.avid.com/the-art-of-editing Follow Avid Media Composer: https://facebook.com/avidmediacomposer https://instagram.com/avid.mediacomposer https://twitter.com/mediacomposer https://www.linkedin.com/company/avid-technology https://www.snapchat.com/add/avidtechnology

Endcrawl - John 'Pliny' Eremic

November 10, 2019, 03:07 PM

https://www.youtube.com/watch?v=0MK9P2f2EWw

Recorded live at the October 2019 lacpug Meet; You've seen it in hundreds of movies, but just don't know it. Endcrawl allows you to build end credits in your browser, collaborate in one place, preview your layout in real time, and get one-click renders whenever you like. John 'Pliny' Eremic, co-founder of Endcrawl demoed. Hosted by Michael Horton. In Collaboration with Surf Theater Productions

Get your stunt fix right here

November 10, 2019, 03:07 PM

https://beforesandafters.com/2019/11/10/get-your-s...

As part of the DVD/Blu-ray release of Hobbs & Shaw, a number of official featurettes have been released. I wanted to share three of those here that specifically go into the stunts of the film.

How Editor Leo Trombetta, ACE Covered for Inconsis

November 9, 2019, 01:59 PM

https://www.youtube.com/watch?v=iha4yGBAkt8

Leo Trombetta, ACE discusses how he combined the best takes from the set of "True Detective" despite the continuity challenges he faced. Leo Trombetta, ACE has over a dozen credits as a Film Editor including "Little Children" for director Todd Field and HBO Films’ "Temple Grandin," for which he won both an Emmy and an ACE Eddie Award. Leo's television work includes Netflix's "13 Reasons Why" and "Narcos," "Wayward Pines," "Mad Men," and the Michael Mann/David Milch seri...

Spencer Averick and Editing When They See Us

November 8, 2019, 02:34 PM

https://www.aotg.com/spencer-averick-and-editing-when-they-see-us/

Gordon sits down with Spencer Averick to discuss editing "When They See Us" and his working relationship with Ava DuVernay.

Blackmagic RAW Format Used on Indie Film, Portals

November 7, 2019, 06:12 PM

https://www.aotg.com/blackmagic-raw-format-used-on-indie-film-portals/

Blackmagic Design today announced that filmmaker Hasraf (Haz) Dulull employed a Blackmagic RAW workflow throughout both the acquisition and post production of a new science fiction anthology feature, Portals.

#blackmagic#davinci resolve#pocket cinema camera
GEMINI MAN: BILL WESTENHOFER – OVERALL VFX SUPER

November 7, 2019, 12:16 AM

https://www.artofvfx.com/gemini-man-bill-westenhof...

In 2010, Bill Westenhofer explained the work of Rhythm & Hues on THE A-TEAM. He then worked on many films such as LIFE OF PI, WARCRAFT and WONDER WOMAN. He is the winner of two Oscars for Best VFX for THE GOLDEN COMPASS and LIFE of PI. Bill is back today to talk about GEMINI MAN...

Meet Misha Tenenbaum – Founder EditMentor

November 6, 2019, 01:41 PM

https://lappg.com/misha-tenenbaum-editing-editstoc...

  We couldn’t be more excited launch our LAPPG Blog with Misha Tenenbaum! Misha has been a presenter at LAPPG in the past where we spoke about EditStock and his LA Post Fest win and will be joining us at our November LAPPG Meeting set for November 13th, 2019 to share with us his latest […] The post Meet Misha Tenenbaum – Founder EditMentor appeared first on lappg.

Some of your favorite CG 'Toy Story' characters ac

November 6, 2019, 01:41 PM

https://beforesandafters.com/2019/11/06/some-of-yo...

These days if you want to model a CG character, there’s a myriad packages you can jump into – Maya, Max, ZBrush, Mudbox, Modo, etc – to get started.

After Effects & Performance. Part 2: What After Ef

November 6, 2019, 01:40 PM

https://www.provideocoalition.com/after-effects-pe...

When discussing the history of After Effects and performance, there’s one single, critical, all encompassing factor that we have to begin with: what After Effects actually does.  Perhaps more significantly:... The post After Effects & Performance. Part 2: What After Effects actually does appeared first on ProVideo Coalition.

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