To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Technicolor launches Mill Film in Australia
February 7, 2018, 10:53 AM
http://www.postmagazine.com/Press-Center/Daily-New...
ADELAIDE, AUSTRALIA — Technicolor has announced the launch of Mill Film, a new visual effects studio that will cater to the theatrical/film production market. The initial production hub will be located in Adelaide, with plans to expand into other film production locations to service global clients.
Digital Production Buzz – February 8, 2018
February 7, 2018, 10:52 AM
http://www.digitalproductionbuzz.com/2018/02/digit...
As more media and services migrate to The Cloud, what do we need to know to keep our assets secure? Is security even possible? Tonight, we talk with industry experts to learn best practices and techniques to keep our media, projects and company data secure. Join host Larry Jordan as he talks with Larry O'Connor, John Tkacezewski, Mathew Gilliat-Smith, Pierson Clair, Michael Kammes and James DeRuvo. The Basics of Keeping Your Media Secure Secure Your Media "In Motion" Simple, Effecti...
Minimal Titles for FCP X
February 7, 2018, 10:52 AM
https://fxfactory.com/blog/effects-2/minimal-title...
Bring elegance to your project with Minimal Titles for Final Cut Pro Just drag and drop. Customize everything. What is Included: Quick and easy to edit in Final Cut Pro X Responsive titles with multiples OSC’s Change duration, color, position, size, etc Disable animation in/out Ready to use in 4K projects No third-party plugins required […]
Day 7 #28daysofQuickTips 2018 - Apply and Toggle a
February 7, 2018, 08:09 AM
https://www.provideocoalition.com/day-7-28daysofqu...
I’m still quite perplexed that nearly 7 years after its release Final Cut Pro X still doesn’t have an audio-only dissolve transition that can be quickly applied with one keystroke. It is quite literally my single biggest complaint about FCPX. Yes you can get a third party audio-only transition but you have to be careful with that as I’ve had it show black frames during its duration upon moving a project.
Making the Cut: Chris McCaleb—Cracking the Code
February 6, 2018, 11:20 AM
https://www.youtube.com/watch?v=p6ZA0AuP7jo
Editor Chris McCaleb discusses how having an open mind and working on Media Composer are critical to solving scenes that aren’t working. Watch the complete "Making The Cut" video series on http://www.avidblogs.com/makingthecut
Patrick Lawrence on editing Clara's Ghost
February 6, 2018, 06:14 AM
https://www.provideocoalition.com/editor-patrick-l...
The film Clara’s Ghost premiered recently as part of the 2018 Sundance Film Festival NEXT program. Written and directed by Sundance alum Bridey Elliott, the film stars Bridey and her real-life family of experienced performers. Chris Elliott, Paula Niedert Elliott, and Abby Elliott all feature in a story about a family of former performers. The film was edited by Patrick Lawrence, and I had a chance to catch up with him at Sundance to discuss post-production on this unique project.
"The Beyond" Edited and Graded in DaVinci Resolve
February 5, 2018, 03:37 PM
https://www.aotg.com/the-beyond-edited-and-graded-in-davinci-resolve/
Blackmagic Design today announced that writer and director Hasraf ‘HaZ’ Dulull, has completed his first feature-length film, ‘The Beyond’, which was edited and graded in DaVinci Resolve 14. Furthermore, the sci-fi documentary film was shot exclusively with digital film cameras from Blackmagic Design, including the URSA Mini 4.6K and URSA Mini Pro.
#editing#color grading#post production#color correctionWhen my computer starts crashing
February 5, 2018, 03:27 PM
http://renderplease.com/post/170539505570
Martin Sappia (EDA) y Sebastián Sepúlveda ganaro
February 5, 2018, 03:26 PM
https://edaeditores.org/martin-sappia-eda-y-sebast...
Nuestro socio Martín Sappia (EDA) fue galardonado con el premio a Mejor Montaje, conjunto con Sebastián Sepúlveda, en el marco del 10 Festival de Cine Chileno (FECICH) por su trabajo en el documental “Venían a Buscarme“. El documental autobiográfico Venían a buscarme relata el proceso de búsqueda de identidad de su director, Álvaro de la Barra, tras volver a Chile […]
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