It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 24, 2014, 02:11 PM
http://www.geniusdv.com/news_and_tutorials/2014/02...
Avid Media Composer version 7.X can now reference 4K media. You can use a function called frame flex to move around within a 4K video frame.
February 24, 2014, 02:11 PM
https://www.aotg.com/babe-winning-the-oscar-for-visual-effects/
Will Smith presenting Scott E. Anderson, Charles Gibson, Neal Scanlan and John Cox the Oscar for Visual Effects for "Babe" at the 68th Academy Awards® in 19...
February 24, 2014, 02:10 PM
https://www.aotg.com/creative-editing-in-fcpx-establishing-a-look/
When working with clients or directors in the room, often you need a quick way to create an overall look for your videos to help sell the edit.
February 24, 2014, 02:10 PM
https://www.aotg.com/star-trek-into-darkness-warp-speed/
In this episode of Boris TV, Paul Ezzy becomes Captain Kirk - deftly guiding you into warp speed using BCC 8 AE in Adobe After Effects. Learn how to create a...
February 24, 2014, 02:10 PM
https://www.aotg.com/vxf-breakdowns-hd-enders-game-gui-reel/
Check out this amazing CGI VXF breakdown by the talented Ash Thorp! Ash was the Lead Motion Graphics designer, under the wing of : Production Designers Ben P...
February 24, 2014, 11:07 AM
http://www.bizjournals.com/boston/blog/techflash/2...
Shares of the audio and video software company Avid (Nasdaq: AVID) will be suspended from trading and be delisted from the Nasdaq Stock Market as of Tuesday. The Burlington, Mass.-based company is in the process of restating a number of financial statements in recent years, and has not filed a financial report with the SEC in more than a year.
February 24, 2014, 11:07 AM
http://www.fastcocreate.com/3026556/a-pixar-artist...
Josh Cooley is one of those guys who goes around quoting lines of dialogue from his favorite movies. He also happens to be a trained artist who feasted on Little Golden Books as a child and now works at Pixar on family-friendly pictures like The Incredibles, Wall*E, and Brave. Cooley says, "Since I'm a big fan of both movies and kids book illustrations, I just kind of squashed the two together."
February 24, 2014, 11:06 AM
http://blogs.vancouversun.com/2014/02/22/dial-y-fo...
As of yesterday afternoon, "Dial Y for Yesterday" is officially done. Producer Darren Borrowman delivered the film to the Crazy 8s colourist Larry Di Stefano. Director Greg Crompton and Cinematographer Jem Garrard joined them for the final stage of what was an appropriately crazy ride.
February 24, 2014, 11:06 AM
https://www.aotg.com/it-didnt-sound-like-that-in-the-studio/
Audio Post Production can now be completed on a laptop, but what do these mixes sound like when played in a cinema? Have you ever attended a mix in a dubbing theatre then reviewed that mix on your laptop and been disappointed? This session will demonstrate how mixes can be optimised for different playback options. Using before and after examples, we demonstrate the possibilities offered by the creative use of sound and how subtle changes in audio can change your perception of a story.
February 24, 2014, 11:06 AM
http://www.youtube.com/watch?v=MBc88MdDaQA
In this edition of Maya Mondays, Daryl takes a look at Maya's render pass features. For more tips check out Daryls blog posts on the AREA...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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