It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 23, 2014, 08:36 AM
http://logic-pro-expert.com/logic-pro-blog/2014/02...
Here are the Sunday Reads for February 23, 2014 on Logic Pro Expert.
February 23, 2014, 08:36 AM
http://vfxsoldier.wordpress.com/2014/02/22/vfx-art...
Alan Faucher was a well-respected visual effects artist whose career spanned three decades and whose creativity was widely acknowledged by his professional community. His filmography includes visual effects work on numerous acclaimed feature films such as Star Trek: Nemesis; Brother Where Art Thou?; Independence Day; Batman Forever and many other Hollywood blockbusters...
February 23, 2014, 08:35 AM
http://www.sternfx.com/blog/index.php/02-2014/my-n...
NAB 2014 is imminent and like every year, I invite you to take part in the Post|Production World, which is conducted during the exhibition. As in the past, I am contributing my part. This year I will teach 9 sessions (two double-length) as well as participate in one of the Hot Panels.
February 23, 2014, 08:35 AM
http://www.hitfix.com/in-contention/gravity-sounds...
"Gravity" kept its strong industry kudos showing alive Sunday night as it added the feature film Cinema Audio Society award for sound mixing, adding to wins from the PGA, DGA, ASC, ADG, MPSE and VES. "Frozen" won the animated prize, while "Behind the Candelabra" and "Game of Thrones" were among the TV winners.
February 23, 2014, 08:35 AM
http://lesterbanks.com/2014/02/rendering-x-particl...
Insydium’s Mike Batchelor takes a look at how to get motion blur with X-Particles, when using the standard X-Particles material. The standard material and the physical renderer inside of Cinema 4D does not support motion blur, but the standard renderer does. This is easily handled by adding a motion blur tag, and enabling a sub-frame motion blur effect in the render settings.
February 23, 2014, 08:34 AM
http://www.garbershop.com/?p=708
It’s been a busy couple of weeks over here at the Garbershop. I finished my video about Mt. Zion Cemetery, which I shot last year. I’ve been working again at Discovery Agency using FCP X. And I have also been cutting two jobs over at my office, a promotional video that I shot for a friend who is a patent attorney and VAM for Showtime.
February 23, 2014, 08:34 AM
http://www.goldderby.com/news/5708/cinema-audio-so...
Continuing a successful run at guild events, "Gravity" won Best Live-Action Sound Mixing at the Cinema Audio Society Awards, beating Oscar rivals "Captain Phillips," "Inside Llewyn Davis," and "Lone Survivor" as well as "Iron Man 3." At the Oscars, "Iron Man" lost out to "The Hobbit: The Desolation of Smaug" for the fifth Sound Mixing bid.
February 23, 2014, 08:34 AM
http://www.hollywoodreporter.com/behind-screen/gra...
The force of Gravity remained strong as its sound-mixing team won the feature film category at the 50th annual Cinema Audio Society Awards for outstanding achievement in sound mixing, Saturday at the Millennium Biltmore Hotel.
February 22, 2014, 02:14 PM
https://www.aotg.com/murch-from-the-godfather-to-the-god-particle/
Join legendary film editor Walter Much in this fascinating masterclass covering his body of work, including his new feature documentary Particle Fever, which...
February 22, 2014, 02:14 PM
http://lesterbanks.com/2014/02/animating-transitio...
Mikey Borup takes a look at creating a animation for a logo in After Effects. Creating a 3D spinning cube that will transition or turn into a 3D triangle shape, Mikey walks through the process of creating a complex animation with simple tools in After Effects.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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