It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 28, 2019, 01:03 PM
https://icolorist.com/2019/10/28/hawaii-colorist-s...
The second ICA Colorist Summit took place in Waikiki during October. The Summit mission is to go to places not normally on the ICA roster. In 2017 we were in Bali and received great support from locals and international students. Hawaii was no different. We had guests visiting from London, Amsterdam, Taipei and LA mixing with local Hawaiians.
October 27, 2019, 01:28 PM
https://beforesandafters.com/2019/10/27/this-drive...
We all want to be him. This VFX Shoot.
October 27, 2019, 01:28 PM
https://filmschoolrejects.com/martin-scorsese-the-...
While not necessarily a stranger to visual effects, Martin Scorsese is not a filmmaker well known for that arena. However, his latest movie, The Irishman, features a lot of computer-generated imagery. Chronicling historical events over many decades, the project required veteran actors including Robert De Niro, Joe Pesci, and Al Pacino, to be de-aged for their portrayals of real-life figures at various stages of their lives.
October 26, 2019, 01:02 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK CITY — Sim (siminternational.com) has hired Lucie Barbier-Dearnley as senior colorist. She comes to the studio from Company 3, London, and brings expansive credits across features, episodic television and documentaries.
October 26, 2019, 01:02 PM
https://www.blogtalkradio.com/moviegeeksunited/201...
The Movie Geeks speak with acclaimed composer Alan Silvestri (Forrest Gump, Back to the Future) about his ambitious score for Avengers: Endgame and one of his most iconic collaborations with director Robert Zemeckis.
October 26, 2019, 01:02 PM
https://lesterbanks.com/2019/10/see-the-huge-diffe...
Kasper Larsson shows how simple joint placement can make a massive difference in deformations. Make a character, throw down some joints, weight, add rigging controls, and do it all over again. It’s the joints and
October 26, 2019, 01:01 PM
https://www.redsharknews.com/production/item/6736-...
Using scientific data, this animation plots a year in the life of the planet earth from Geostationary orbit. AnimationSpaceVimeo
October 26, 2019, 01:01 PM
http://www.postmagazine.com/Post-Blog/2019/October...
I caught up with Alex Tsilfidis, founder and CEO of Accusonus, at the AES show in New York City recently. The company has a background in technology for hearing aids (as well as beat making and drum mixing) and that expertise has allowed Accusonus to develop a series of audio restoration plug-ins the can solve a number of problems video editors often encounter. Photo (L-R): Post's Marc Loftus and Accusonus' Alex Tsilfidis The company currently offers six...
October 24, 2019, 01:01 PM
https://www.screeneditors.com.au/montage-wars-sa/
Montage Wars is Adelaide's first video editing competition! Six emerging Editors will compete to show off their editing artistry and speed. Each will have two hours to edit a music video. Join us for a fun, live and interactive event where you get to witness the edits emerging from the raw media while enjoying the […]
October 24, 2019, 01:01 PM
https://postperspective.com/the-gritty-and-realist...
By Jennifer Walden The grit of Gotham City in Warner Bros.’ Joker is painted on in layers, but not in broad strokes of sound. Distinct details are meticulously placed around the Dolby Atmos surround field, creating a soundtrack that is full but not crowded and muddy —it’s alive and clear. “It’s critical to try to create a real feeling world so Arthur (Joaquin Phoenix) is that much more real, Continue reading → October 23, 2019 The post The gritty and realistic sounds of Joker ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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