It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 8, 2014, 08:22 AM
http://www.goldderby.com/news/5623/ace-eddie-award...
"Captain Phillips" and "American Hustle" were the big Eddie winners, leaving frontrunner "Gravity" in their stardust.
February 8, 2014, 08:22 AM
http://variety.com/2014/film/news/american-hustle-...
“Captain Phillips” and its editor Christopher Rouse took kudos for dramatic feature, “American Hustle” editors Jay Cassidy, Crispin Struthers & Alan Baumgarten took the award for comedy or musical feature, and “Frozen’s” Jeff Draheim took home the Eddie for animated feature.
February 8, 2014, 08:22 AM
http://www.deadline.com/2014/02/eddie-award-winner...
With presenters including Leonardo DiCaprio, Warren Beatty and Jonah Hill, it was a winning night for Captain Phillips, American Hustle, Breaking Bad and Frozen at the 64th annual ACE Eddie Awards. Christopher Rouse took home the Best Edited Feature Film (Dramatic) for Captain Phillips.
February 8, 2014, 08:21 AM
http://www.deadline.com/2014/02/phillips-is-the-ca...
Just when you think you have this whole awards season thing figured out along comes another fork in the road. Tonight's American Cinema Editors Awards cr
February 8, 2014, 08:21 AM
http://moviecitynews.com/2014/02/winners-announced...
“AMERICAN HUSTLE,” “CAPTAIN PHILLIPS” AND “FROZEN” WIN BIG AT THE 64TH ANNUAL ACE EDDIE AWARDS RECOGNIZING OUTSTANDING EDITING IN 2013
February 7, 2014, 06:35 PM
http://library.creativecow.net/manzella_andrew/Mat...
Virtual matte painting and set extension doesn't just live in grand shots of big budget movies anymore. "The Invisible Art" is now affordable through software you likely already own -- but still requires careful preparation during live action shooting if it's to be believable. Here are tips from an Emmy Award-winning local spot that you can apply to your own work, whichever tools you're using.
February 7, 2014, 06:34 PM
http://www.behindvfx.com/post/75913193447/behind-t...
This is a behind the scenes making of John Carpenter’s (1986) “Big Trouble in Little China" with interview from director John Carpenter, vfx producer Richard Edlund, costume designer and casts Kurt Russell, Kim Cattrall, James Hong and Dennis Dun.
February 7, 2014, 06:34 PM
http://renderplease.tumblr.com/post/75936836196/i-...
Anonymous asked: I graduated film school ten years ago with the intention of working in post. Even did the intern thing but it didn't end up going anywhere. After that i was never able to find a job...
February 7, 2014, 12:54 PM
http://johnaugust.com/2014/when-post-production-ne...
Doug Karr's new film Art Machine is available on demand and through iTunes. I asked him to write up a post about his experience finishing it. --- Nearly
February 7, 2014, 12:53 PM
http://www.screenlight.tv/blog/2014/02/07/my-edit-...
For four years I worked in a glorified closet otherwise known as my editing bay. My room was approximately 6’ wide by 9’ long. It had neutral gray walls and a desk that squeezed all the way across the back wall. On my desk sat the mixer, mouse, colorful keyboard and phone hidden way off in the corner. Whoever calls the editor for their opinion? Beside my two 23” monitors were two giant oddly colored speakers. On top of one of the speakers was a picture of my wife and I when we were t...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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