It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 26, 2018, 11:18 AM
http://www.digitalproductionbuzz.com/2018/01/trans...
HOST Larry Jordan GUESTS Maxim Jago, Director, MaximJago.com Chuck Parker, Executive Director, Art Directors Guild, IATSE Local 800 Mark Andrew Reyes, Lead Theatre Technician, Hillcrest Center for the Arts Marti Romances, Creative Director, Territory Studio (San Francisco) Jayse Hansen, Fictional UI Designer for Film, jayse.tv James DeRuvo, Editor-in-Chief, DoddleNEWS == Male Voiceover: The Digital Production Buzz is brought to you by KeyFlow Pro.… The post Transcript: Digital P...
January 26, 2018, 11:17 AM
http://www.artofvfx.com/the-commuter-steve-begg-ov...
In 2015, Steve Begg explained his work on SPECTRE. He talks to us today about his work on THE COMMUTER.
January 26, 2018, 04:23 AM
http://www.digitalrebellion.com/blog/posts/making_...
If you're using Post Haste to create templates for your Adobe project files, you may have run into an issue where the project file still points to assets in their original location on disk, not relative to the template path. Here's how to get relative paths working: Create a new folder to temporarily store the files. Recreate the relevant folders from your template. So if you store video in a Media folder and the project file in a Projects folder, create those folders inside the new ...
January 25, 2018, 07:59 PM
http://www.studiodaily.com/2018/01/film-editor-tat...
As she sat down to chat with StudioDaily for the Podcasts from the Front Lines series, editor Tatiana S. Riegel, ACE, was only a few days away from an Academy Award nomination for her work cutting together Craig Gillespie’s new film, I, Tonya. Having no idea that honor was coming her way on the heels […] The post Film Editor Tatiana S. Riegel, ACE, Explains How I, Tonya Came Together appeared first on Studio Daily.
January 25, 2018, 07:59 PM
http://renderplease.com/post/170118644745
Me:
January 25, 2018, 01:07 PM
http://postperspective.com/genelecs-intros-ones-se...
Genelec is now offering point source monitoring with The Ones series, featuring their established 8351 three-way monitor along with the new 8341 and 8331. These small three-way coaxial monitors are housed in enclosures no larger than a traditional two-way Genelec 8040 or 8030. This coaxial driver design provides accurate imaging and improved sound quality, Continue reading → January 25, 2018 The post Genelec’s intros The Ones series of near-field monitors appeared first on Randi Altman...
January 25, 2018, 01:07 PM
http://www.fcp.co/final-cut-pro/articles/2034-emer...
MacBook Pro, Final Cut Pro X and the LA Film Community Boost Local Productions. A great FCPX user story that shows there really is no barrier to shooting and editing your own high quality film.
January 25, 2018, 10:29 AM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK CITY — Editorial company Whitehouse Post (www.whitehousepost.com) has added to its New York roster by bringing aboard editor Lizzy Graham. With over 15 years of editorial experience, Graham honed her craft in London at companies that include Marshall Street and Peepshow.
January 25, 2018, 10:28 AM
http://variety.com/2018/artisans/awards/suite-on-t...
When most people picture a film editor at work, they see someone in a dark, quiet room — illuminated only by multiple monitors — meticulously cutting together scenes that arrive from sets all over the world.
January 25, 2018, 10:28 AM
http://variety.com/2018/artisans/awards/ace-awards...
When American Cinema Editors holds its annual ACE Eddie Awards event on Jan. 26 at the Beverly Hilton hotel, three distinguished industry figures will take the stage to accept their well-deserved honors.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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