It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 24, 2014, 10:48 AM
http://www.stephenfry.com/2014/01/24/mac-at-30/
JavaScript is currently off.It was thirty years ago today that Sergeant Jobs taught the band to play. Sergeant Jobs together with Privates Smith, Atkinson, Kawasaki, Crow, Espinosa and the rest of the Apple Macintosh team, not to mention all those back at Xerox’s Palo Alto Research Center (PARC) and the crew at Stanford who had built the first computer mouse, and back before them, of course, all the geniuses in a line back from Steve Wozniak and Gordon Moore to the original pioneers like Von N...
January 24, 2014, 10:48 AM
http://www.youtube.com/watch?v=y1wRIPhabko
With Sibelius 7.5, you can express, accelerate, and promote your creativity in more ways than ever before, enabling you to deliver beautiful, professional sc...
January 24, 2014, 10:48 AM
https://www.editorsguild.com/magazine.cfm?ArticleI...
The owners and participants in Formosa Group are all creatives, according to supervising sound editor and Oscar nominee Mark Stoeckinger (Million Dollar Arm), who, together with 10 other seasoned post professionals, comprise the talent pool of a new operation that opened for business in early 2013 on The Lot (the former Warner-Hollywood and Samuel Goldwyn Studios) in West Hollywood.
January 24, 2014, 10:48 AM
https://www.editorsguild.com/FromTheGuild.cfm?From...
As the range of products and technologies being offered to the consumer marketplace broadens from wearable computing devices to large-format, curved Ultra-HD displays, the post-production and media-delivery communities will need to develop additional tools to fulfill these expanding creative opportunities. The overall theme of this year’s International CES, held in early January at the Las Vegas Convention Center and Venetian Hotel, was “Connectivity...Everywhere,” with more than 3,200 com...
January 24, 2014, 10:47 AM
https://www.editorsguild.com/FromTheGuild.cfm?From...
In mid-December, the International Documentary Organization (IDA) rounded out its 2013 Doc U series of educational seminars with “Point of View: Editors on the Art of Storytelling.” This lively discussion on the crucial role of editing in documentaries was held at Cinefamily, formerly the Silent Movie Theatre in Los Angeles, and moderated by Editors Guild member Lillian Benson, A.C.E. (Wounded Knee, Craft in America). The first African-American woman member of American Cinema Editors (ACE), ...
January 24, 2014, 10:47 AM
http://variety.com/2011/digital/news/fadeout-of-fi...
A few weeks ago I moderated the Q&A that followed the Variety screening of “Jane Eyre.” I asked director Cary Fukunaga if he’d shot with a digital camera or on film, and he replied that he always prefers to shoot film.
January 24, 2014, 06:08 AM
http://digitalfilms.wordpress.com/2014/01/24/color...
It’s time to dive into some of the terms and concept that brought up modern color correction software. First of all – color grading versus color correction. Many use these terms to identify different processes, such as technical shot matching versus giving a shot a subjective “look”. I do this too, but the truth of […]
January 24, 2014, 06:08 AM
https://www.aotg.com/finding-editing-work-in-todays-economy/
The Zoom TAC-2 is a compact 2-in, 2-out bus-powered Thunderbolt audio interface that allows for ultra-low latency and supports audio up to 24-bit/192kHz. It features two balanced XLR/TRS inputs with 48V phantom power, a Hi-Z input jack for electric guitars and basses and two balanced TRS outputs for connecting an amplifier or powered speakers.
January 24, 2014, 06:08 AM
http://www.animationmagazine.net/features/pixar-st...
Star Wars fandom has been in a perpetual state of anticipation ever since Disney acquired the franchise when it bought Lucasfilm and announced plans for a new movie every year.
January 24, 2014, 06:05 AM
http://news.creativecow.net/story/874242
(New York, New York--January 24, 2014) In a sign of its ongoing commitment to independent film, Technicolor-PostWorks, New York, provided post production services for eight films screening at the 2014 Sundance Film Festival. The facility delivered a variety of creative and technical services, ranging from editorial systems to color grading, for the films, which include two dramatic features, a comedy feature, three feature-length documentaries and two shorts.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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