To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Editors on Editing w/ “No Time To Die” Editors Tom Cross, ACE & Elliot Graham, ACE

October 21, 2021, 09:10 AM

https://www.provideocoalition.com/editors-on-editi...

The Editors on Editing Podcasts brings the fantastic conversations that Glenn Garland has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Glenn talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows and [...]Read More...

Behind the Title: Cantina Creative CD Stephen Lawes on Loki, More

October 21, 2021, 09:10 AM

https://postperspective.com/behind-the-title-canti...

Stephen Lawes is the co-founder and creative director of LA-based Cantina Creative, a design and VFX company that focuses on storytelling through creative and technical innovation. A lot of their work is for the Marvel Cinematic Universe. As creative director, he spends most of the time organizing teams of artists, Continue reading → October 20, 2021 The post Behind the Title: Cantina Creative CD Stephen Lawes on Loki, More appeared first on postPerspective.

Five lame excuses companies give for not paying invoices on time

October 21, 2021, 09:09 AM

https://www.redsharknews.com/business/item/3542-fi...

Replay: Phil Rhodes on the seemingly unending delays that companies place on payments to freelancers and the top categories of excuses that tend to crop up whenever the invoice is chased.

Dune Editor Joe Walker on Cutting Denis Villeneu

October 21, 2021, 09:09 AM

https://www.motionpictures.org/2021/10/dune-editor...

Last week in his adopted hometown of Los Angeles, UK-raised editor Joe Walker had just finished cutting a TV commercial down to thirty seconds when he took a break to discuss Dune (opening Oct. 22), which clocks in at two hours and thirty-five minutes. “But come on,” Walker laughs. “It feels like thirty seconds.” In 1984, David Lynch’s adaptation of Frank Herbert’s 1965 sci-fi novel failed to translate on the big screen—Villeneuve has solved the Dune riddle and delivered something ...

Timeline For IATSE Contract Ratification Vote Roll

October 21, 2021, 09:09 AM

https://deadline.com/2021/10/timeline-for-iatse-co...

The ratification vote on the tentative agreement for a new IATSE film and TV contract is being rolled out in four phases, although no firm date has been set yet for the vote itself, according to a chart posted on the union’s #IASolidarity twitter page.

Editing No Time To Die

October 21, 2021, 09:09 AM

https://www.ladbible.com/entertainment/53021-no-ti...

While fans have been left shocked and disappointed by the way the 25th Bond film ended, editors Tom Cross and Elliot Graham told IndieWire that Craig's dramatic departure from the 007 role was set from the start.

Kazunali Tajima Shoots kolor’s Spring Summer 2022 Collection Movie for Paris Fashion Week with 4 URSA Mini Pro 4.6K G2

October 20, 2021, 01:20 PM

https://www.blackmagicdesign.com/media/release/202...

Blackmagic Design announced today that photographer/DoP Kazunali Tajima shot fashion brand kolor's Spring Summer 2022 Collection with Blackmagic URSA Mini Pro 4.6K G2 digital film cameras. Shot on multiple URSA Mini Pro 4.6K G2s mounted on robotic arms, the film was graded in DaVinci Resolve Studio and shown online at Paris Fashion Week in July 2021.

#blackmagic design#davinci resolve studio#ursa mini pro 4.6k g2
Up That Scare Factor: 8 Ways to Build Tension in a Scene

October 20, 2021, 08:36 AM

https://www.premiumbeat.com/blog/build-tension-in-...

As if things weren’t already tense enough in today’s world, here are eight tips to help stress your audience out even further.  Of all the emotional states …

Anatomy of a Scene: Lady of the Manor Editor Annette Davey

October 20, 2021, 08:34 AM

https://postperspective.com/anatomy-of-a-scene-lad...

Australian editor Annette Davey, who is now based in the US, works on both TV and film projects. She is currently editing several TV projects, including Maid for Netflix, and recently completed the comedy film Lady of the Manor for Lionsgate. It was co-written and co-directed by actor Justin Long and his brother Christian. Continue reading → October 19, 2021 The post Anatomy of a Scene: Lady of the Manor Editor Annette Davey appeared first on postPerspective.

New IATSE Contract Everything We Know

October 20, 2021, 08:33 AM

https://variety.com/2021/film/news/iatse-contract-...

The International Alliance of Theatrical Stage Employees is beginning to roll out more details of its tentative contract with major film and television studios to its members, as it looks to build support for a ratification vote.

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