To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

21 Broadcast Graphics Templates for Adobe Premiere

January 13, 2014, 11:04 AM

http://www.borisfx.com/borisfxnews/2014/01/13/21-b...

Need some new graphics for the new year? SternFX is back with a Broadcast Graphics templates package designed exclusively for Adobe Premiere Pro users. Quickly tailor the templates with your own text and logos/images. Perfect for show openers. You’ll also get … Continue reading →

Kollaborate 1.0.5 - sharing overhaul, uploading im

January 13, 2014, 11:03 AM

http://www.digitalrebellion.com/blog/posts/kollabo...

Kollaborate 1.0.5 is now live on the cloud version of the site, offering many new features and improvements to our cloud workflow platform.Sharing overhaulSharing files with people outside a project has now been streamlined. All users wishing to create a link must now have admin permissions (you can set this from the Team page). Creating a link and emailing it is now one step instead of two and previously-used email addresses appear in a popup menu for convenience.The recipients of the link ...

Understanding film narrative: The trailer

January 13, 2014, 05:45 AM

http://www.davidbordwell.net/blog/2014/01/12/under...

The Wolf of Wall Street. DB here: At many points in The Wolf of Wall Street, we hear the voice of Jordan Belfort chronicling his exploits in building up a rapacious investment company. A few times he even addresses the camera. What’s he doing? Well, he’s telling us a story, obviously. Stories are what many [...]

Exclusive Behind The Scenes On Designing Sound

January 13, 2014, 05:45 AM

http://www.asoundeffect.com/an-exclusive-behind-th...

The team at Designing Sound runs a vitally important resource for insightful, original sound articles, guides and news from and for the sound community. But it’s pretty rare that that we actually get to hear about the work and thoughts the team pours into this unique resource.

John Knoll Talks ILM, Disney, 'Star Wars'...

January 13, 2014, 05:45 AM

http://www.awn.com/vfxworld/john-knoll-talks-ilm-d...

Few people in the visual effects industry talk with as much clarity and perspective as ILM’s John Knoll. When he speaks, he truly speaks from experience. A career spent supervising visual effects on many of the most successful feature films in history provides only a glimpse of his impact on the world of computer graphics, filmmaking and visual development. Along with his brother Thomas, he created Photoshop, arguably the most important digital creative tool in history. Oh, and add in an Oscar...

You simply won't believe this animation

January 13, 2014, 05:44 AM

http://www.creativebloq.com/3d/you-simply-wont-bel...

It's hard to believe but this comedic, stop-motion-style animation was created entirely in 3D. We find out how it was done.

Heads Above: The VFX of Sleepy Hollow

January 13, 2014, 05:44 AM

http://www.fxguide.com/featured/heads-above-the-vf...

Fox’s Sleepy Hollow is closing in on the end of its first season and has already been renewed for its second. The show features a diverse mix of visual effects work, from the hero Headless Horseman to matte paintings, particle sims and other animation. Visual effects supervisor Jason Zimmerman helps us go behind the scenes for a recent episode – ‘Necromancer’ – that has around 500 VFX shots.

Boston MA – BOSCPUG Featuring Crispin Struthers

January 13, 2014, 05:43 AM

http://feedproxy.google.com/~r/industryhappenings/...

RSVP Link: http://boscpugjan30.eventbrite.com FIRST BOSCPUG OF 2014! Featuring Film Editor CRISPIN STRUTHERS (AMERICAN HUSTLE) PLUS! VFX in AMERICAN HUSTLE Featuring BRIAN DREWES and SEAN DEVEREAUX of ZERO VFX INCLUDES After BOSCPUG Social Hour at SALVATORE’S And BIG DIG RAFFLE with Filmmaker Prizes! Easy Validated Parking via SALVATORE’S Producers, Editors, Filmmakers: Get out of your production offices... Read more »

The Sights and Sounds of CES 2014

January 13, 2014, 05:43 AM

http://provideocoalition.com/pvcexclusive/story/th...

The Consumer Electronics Show, better known as International CES, is an event that can fly under the radar for many of the folks in our industry. Obviously the focus at this show is on the consumer end of things, and with that being the case, many of the gadgets and gear that are...

Big Post Expansion for Brooklyn: Rumble Audio

January 13, 2014, 05:41 AM

http://www.sonicscoop.com/2014/01/12/big-post-expa...

With his surprising new facility that straddles the line between East Williamsburg and Bushwick, mixer and founder Ryan Billia intends to open up new options for content creators of all stripes. The centerpiece of his studio is a world-class mixing stage suitable for Hollywood directors, but that doesn’t mean you have to be a Coppola to come through the door.

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