It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 25, 2013, 07:19 PM
http://library.creativecow.net/menick_stephen/King...
It wasn't the effects and it wasn't the cast that made 1933's King Kong the enduring classic that it is (though Fay Wray got a clear shot at immortality). It was the story. The story of a big lug with a soft spot a mile wide. Of a king who loses his kingdom and his life because he falls for a pretty little thing - falls long before he tumbles ...
September 25, 2013, 12:40 PM
http://journalstar.com/entertainment/movies/cuttin...
Film editor Mike Hill faced a challenge in cutting the scenes that make up the final race in “Rush.”
September 25, 2013, 12:39 PM
http://news.creativecow.net/story/872995
(TorinoIncontra, Turin--September 25, 2013) At the 14th International VIEW Conference Max Solomon, animation supervisor for Framestore, will unveil the making of the latest Warner Bros blockbuster movie:
September 25, 2013, 11:02 AM
http://www.deadline.com/2013/09/animation-guild-el...
There’s change and there’s more of the same at the Animation Guild after the Executive elections last night. Like the WGA West and WGA East's recent...
September 25, 2013, 04:25 AM
http://wolfcrow.com/blog/alexis-van-hurkman-shares...
Alexis Van Hurkman shares Autodesk Smoke workflows for a collaborative film
September 25, 2013, 04:24 AM
http://www.dnaindia.com/entertainment/1893643/repo...
Attarintiki Daredi was scheduled for release October 9, but due to the leak it has been advanced to Friday. - Entertainment - dna
September 25, 2013, 04:24 AM
http://news.creativecow.net/story/872984
(Los Angeles, California--September 25, 2013) Lincoln Now presents a series of films including “The Artistry of A Miami Cigar” edited by Cut+Run’s Dan Maloney for agency HudsonRounge. Directed by Brennan Staciewicz, the film features the Wynwood Cigar Factory and owner Robert Caldwell...
September 24, 2013, 07:36 PM
http://www.postmagazine.com/Press-Center/Daily-New...
CHICAGO — Whitehouse Post recently welcomed back editor David Cea. The New Jersey native studied film at Hofstra University. His time as a teaching assistant for his Avid class piqued his interest in editing. Upon graduating in 2005, Cea began his editorial career at The Whitehouse in New York.
September 24, 2013, 01:46 PM
https://www.aotg.com/pbs-documentary-completed-with-blackmagic-design/
Los Angeles based post production house Shapeshifter used Blackmagic Design’s Teranex 2D Processor and DaVinci Resolve color correction software to finish the feature length documentary “Mel Brooks: Make a Noise.”
#blackmagic design#davinci resolve#teranex 2d processorSeptember 24, 2013, 09:59 AM
http://news.doddleme.com/blogs/post-production/fin...
Color correction is very important in any post-production workflow, and there are different types of color correction, including primary and secondary. In today’s Final Cut Pro X tutorial, Mark Spencer and Steve Martin from Ripple Training walk us through the secondary color correction, selecting specific areas to correct.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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