It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 11, 2013, 10:40 AM
http://daredreamermag.com/2013/09/11/chris-fenwick...
Today we bring you part 1 of a 2-part series on editing and Final Cut Pro X. I bring back fellow podcaster and veteran editor Chris Fenwick as we discuss various editing and work philosophies.
September 11, 2013, 04:36 AM
https://www.aotg.com/kelley-dixon-editing-breaking-bad-part-2/
Editor Kelley Dixon talks about and answers questions from the audience on editing six seasons of Breaking Bad. Taped at the August 2013 Los Angeles...
September 11, 2013, 04:35 AM
https://www.aotg.com/kelley-dixon-editing-breaking-bad-part-1/
Editor Kelley Dixon talks about and answers questions from the audience on editing six seasons of Breaking Bad. Taped at the August 2013 Los Angeles Creative...
September 11, 2013, 04:34 AM
http://tv.adobe.com/watch/adobe-at-ibc-2013/after-...
Quickly create a mask and apply an effect such as color correction that travels frame by frame throughout your composite. Mask Tracker eliminates the need to adjust the mask and effect throughout time and avoids repetitive rotoscoping tasks.
September 10, 2013, 04:51 AM
http://www.elegantworkflow.com/?p=1126
Michael Kammes consults on and demonstrates workflows benefiting the post industry: acquisition, stereoscopy, storage, editorial, audio, finishing, and encoding in his role as Director of Technology and Marketing at Key Code Media. His background of integration and configuration of both hardware and software, coupled with his production experience, gives him a keen insight into the future of the post industry.
September 9, 2013, 04:23 PM
http://www.filmfestival.nl/publiek/evenementen/nce...
Voor de derde keer organiseert de Nederlandse vereniging van Cinema-Editors een masterclass met een internationaal vermaard editor. Hierin wordt gediscussieerd over de rol van montage en van de editor in het proces van filmmaken, in...
September 9, 2013, 04:40 AM
http://www.creativeimpatience.com/the-day-i-dreamt...
My current daily job requires producing about 50-60 minutes of content per month of something that roughly falls into mostly unscripted reality show. Within 30 days we have to prepare the final edit...
September 8, 2013, 07:12 AM
http://kyleesportfolio.com/blog/?p=1407
In the interest of self-promotion, I was in a local production magazine recently. Unfortunately my description didn’t really translate, but hey, my picture is there.
September 6, 2013, 06:25 PM
http://library.creativecow.net/mcauliffe_kevin/AE_...
In this lesson, Kevin P McAuliffe breaks down how to create the cool lens filter effect that Michael Bay uses in almost all of his movies. Although in most cases this effect is created "in-camera", there are reasons you would want to do the effect in post. Once you see how to create this effect, it will become a "go-to" effect you can keep in your back pocket for those clients whose footage needs that extra boost!
September 6, 2013, 10:35 AM
http://filmmakermagazine.com/76027-color-grading-t...
Director Jordan Vogt-Roberts’ coming of age comedy The Kings of Summer premiered successfully at Sundance this year, but it took a hectic few weeks of work to grade and produce the final deliverables in time to make the Sundance submission deadline.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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