To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Thank You To Our Wonderful December Presenters!
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Premiere Pro Tips: 3 Options for Separating Boom a
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December 20, 2017, 12:45 PM
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Tonight, The Buzz puts the spotlight on... lighting! We talk with manufacturers and cinematographers about the latest trends in lighting tech and how it's being used everyday on set. Join host Larry Jordan as he talks with Tama Berkeljon, Bobby Finley III, Joel Lipton, Pat Grosswendt, and James DeRuvo. Lighting a Scene Lighting Live Productions New Trends in Lighting Tech Putting Lighting to Work The Weekly DoddleNEWS Update The post Digital Production Buzz – December 21, 2017 ...
Making The Cut: William Oswald, editor Doctor Who,
December 20, 2017, 12:45 PM
https://www.aotg.com/making-the-cut-william-oswald-editor-doctor-who/
William Oswald talks about finding the rhythm of a scene, and the benefits of practicing with real rushes.
Watching down multiple cuts like
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5 Ways to Use the Macguffins
December 20, 2017, 05:30 AM
https://nofilmschool.com/2017/12/5-ways-use-macguf...
MacGuffins are everywhere in cinema, from the holy grail in Indiana Jones to the One Ring in The Lord of the Rings. However, not all films make good use of the power of these plot devices, namely action and superhero films. In this video essay, Sage Hyden of Just Write explores how these films oversimplify their narratives by making MacGuffins the focal point of the entire plot. Not only that, but he suggests five ways to use them so they serve your story rather than the other way around.
Wednesday, January 10, 2018 – Doors Open at 7pm
December 19, 2017, 06:43 PM
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Join us for our first meeting of the new year! 360/VR Video Post and Finishing with Boris FX As the growing immersive video space evolves, editors require robust, stereoscopic enabled tools for fixing and finishing 360 video projects. Mary Poplin, local product specialist from Boris FX will discuss common 360 challenges and how Mocha VR […] The post Wednesday, January 10, 2018 – Doors Open at 7pm appeared first on lappg.
Rian Johnson Cut A Line That Clarified One Classic
December 19, 2017, 01:50 PM
https://www.cinemablend.com/news/1746549/rian-john...
It's only been a few days since Star Wars: The Last Jedi bowed in theaters, and thus we are only at the beginning of what will be a long and hard fought debate. Everyone has an opinion about the film, we here at CinemaBlend were even we're divided on it.
The Psychology of the Close-up in 'The Passion of
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he close-up is a cinematography technique used often on faces to show nuanced emotions or to hammer in broad emotions on an otherwise jaded audience. Recently, it’s been used more for details on small procedures or actions, highlighting the minutiae of machinery or hands working. But its usefulness in the realm of audience effect, changing how we see the minds of characters, is paramount.
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