It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 2, 2013, 02:45 PM
http://vashivisuals.com/the-long-take/
With 1459 shots, it's a fast paced film. Why does the single longest shot have so much impact to the whole film? Do you remember what it was?
July 2, 2013, 06:25 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
The days that change our lives forever usually begin just like any other. One minute you're strolling to the convenience store, drinking a jug of Sunny D, and the next, you're shaking a pregnancy test in disbelief.
July 2, 2013, 06:25 AM
https://www.aotg.com/the-great-gatsby-vfx-on-vimeo/
My name is Chris Godfrey and I was the VFX supervisor on the film. Baz has graciously agreed to let us release this...
July 1, 2013, 08:45 AM
https://www.aotg.com/summer-blockbusters-graded-using-davinci-resolve/
Company 3 Uses Resolve to Grade Several Summer Blockbusters
#blackmagic design#davinci resolve#company 3#world war z#lone ranger#hangover part iii#man of steelJuly 1, 2013, 04:37 AM
http://coloristos.podomatic.com/entry/2013-07-01T0...
In this Episode of the ColorCast, the Coloristos discuss films that inspired them to initially get started in color grading, as well as past and current movies that influence the work they do on their own projects. They also talk about the growing collaborative relationship between the colorist and DP, and finally end the episode by submitting...
June 30, 2013, 12:17 AM
https://www.aotg.com/editing-silver-linings-playbook/
Jay Cassidy and Crispin Struthers: talk about Editing Silver Linings Playbook at The L.A. Creative Pro User Group meeting some time a few months go.
June 27, 2013, 04:08 PM
http://www.editorsguildsa.org/news/2013/suite-talk...
On the 20th of June SAGE and "In The Bag" (a Wits Film and Television initiative) presented a documentary editing talk. The focus was feature length documentary filmmaking, in conversation with SAGE full members Catherine Meyburgh and Susan Scott.Catherine and Susan's insights covered everything from conversations in pre-production to organising projects in post-production.
June 26, 2013, 02:14 PM
http://www.karenschmeer.com/news/2013/4/22/iffbost...
The Fellowship is presenting a panel at this weekend's Independent Film Festival of Boston entitled "The Art of Documentary Editing: Case Studies" Panelists will be Francisco Bello ("Our Nixon" and "Best Kept Secret") and Pola Rapaport ("Here One Day"). We'll be comparing scenes as they were in the rough cut with how they look in the final cut.
June 26, 2013, 04:38 AM
http://sfbayview.com/2013/editing-black-films-for-...
Sam Pollard is one of the unsung heroes of Black films in Amerikkka. He has been in the cinema industry for over 40 years and is one of the editors of some of Spike Lee’s greatest work, including “Malcolm X,” “Bamboozled,” “4 Little Girls” and “When the Levees Broke.” He will be coming to the Bay Area to do a series of talks on his work at the Pacific Film Archives in Berkeley on June 27 and 29.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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