It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 18, 2013, 07:55 AM
http://terencegallacher.wordpress.com/2013/01/18/p...
"Returning to Movietone 1961" This week’s podcast recalls my return to England and soon after, British Movietone News in March 1961 after my time in Australia with GTV9 and ABV2 in Melbourne. Before an offer of work from Movietone I looked at the BBC and had an interesting offer to do the sound dubbing on...
January 18, 2013, 07:53 AM
http://www.motionvfx.com/mblog/post,p2160.html
Dale Grahn Color is a nice little app that you will find on the App Store. It not only allows you to make your pictures better, but also to learn a lot of useful stuff thanks to informative tutorials.
#color#correction#dale grahnJanuary 17, 2013, 08:18 PM
http://www.aotg.com/cuttingroom/2013/01/17/norman-...
THIS EPISODE Norman Holly, editor, author, and professor sat down with Gordon to discuss two new job positions that have opened up at USC, what’s required for these positions and his approach to teaching. If you are interested in applying go to www.uscfilmediting.wordpress.com.
January 17, 2013, 08:14 PM
http://www.creativeplanetnetwork.com/dv/feature/ed...
When I was 9, my parents took me to see 21 Up, the third in filmmaker Michael Apted’s Up documentary series. The amazingly ambitious premise of this series—exploring the Jesuit motto “Give me the child until he is 7 and I will give you the man”—traces the lives of 14 people from 1964 (when they are 7) to the present. Every seven years, Apted visits them, conducts new interviews and produces a new documentary.
January 17, 2013, 06:49 PM
https://www.aotg.com/norman-hollyn-teaching-and-usc/
Norman Holly, editor, author, and professor sat down with Gordon to discuss two new job positions that have opened up at USC, what’s required for these positions and his approach to teaching. If you are interested in applying go to www.uscfilmediting.wordpress.com.
#editor#editing#film editor#norman hollyn#usc#teaching#university of southern californiaJanuary 17, 2013, 05:10 PM
https://www.aotg.com/b-reel-pt-2-the-wilderness-downtown/
In this episode, the B-Reel team returns to discuss how they created and executed The Wilderness Downtown project for Chris Milk, Arcade Fire and Google.
January 17, 2013, 04:24 PM
https://www.aotg.com/fred-raskin-on-editing-django-unchained/
From being an up and coming film editor on films such as Annapolis, Fast and the Furious Tokyo Drift and Fast Five to Quentin Tarantino's man in the cutting room on...
#editor#film editor#django#raskin#fred#unchainedJanuary 17, 2013, 12:31 PM
http://carpetbagger.blogs.nytimes.com/2012/12/05/b...
In some ways, the job of film editors is to make their work invisible. They hope that audiences don’t notice the editing and see only that a clear path has been drawn to the heart of the film’s story.
#editor#editing#film editor#post#flight#crash sceneJanuary 16, 2013, 03:40 PM
http://www.scruffy.tv/thatpostshow/2013/1/16/go-fa...
We continue the conversation with Zack Arnold. We talk about budgets, filmmaking, kickstarter and Zack's amazing documentary, GO FAR.
January 16, 2013, 03:37 PM
http://www.btlnews.com/crafts/post-production/tree...
Dallas editorial boutique Treehouse has hired editor Jayson Limmer. Formerly with 3008, Limmer arrives with more than eight years of experience in cutting spots for agencies in Dallas and other markets, and credits that include such brands as Charter, Western Union, Gamestop, Red Lobster, HEB and Zales. In his first project for Treehouse, Limmer is editing a new campaign for Pennsylvania-based convenience store chain Wawa and Dallas agency The Richards Group.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.