To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Post's 25th Birthday Party Clip 5

December 1, 2011, 08:19 AM

http://www.postmagazine.com/Video-Center/Gallery/P...

Finishing up our interview with Harmonic's Geoff Steadman and welcoming Altermedia's Joel Stoner.

Post's 25th Birthday Party Clip 6

December 1, 2011, 08:17 AM

http://www.postmagazine.com/Video-Center/Gallery/P...

Our live streaming concludes with guest Joel Stoner from Altermedia.

Covering GV Expo in Washington, DC

December 1, 2011, 08:08 AM

http://www.larryjordan.biz/app_bin/wordpress/archi...

The latest Government Video Expo opened today in Washington, DC, and, as in years past, our podcast, the Digital Production Buzz, has a team of reporters covering the event.

Create a Slo-Mo Shot with Twixtor

November 30, 2011, 04:09 PM

http://www.studiodaily.com/main/news/headlines/135...

In this ten minute video, RE:Vision Effects' Lori Freitag walks you through the basics in retiming and keyframing sequences to give you the kind of slow-motion shot you'd get from shooting with a high-speed camera. The piggybank footage comes courtesy of Footage Firm and the car footage from Jesse James Jones Jr.

Boris Continuum Complete 8

November 30, 2011, 04:07 PM

http://www.studiodaily.com/main/news/headlines/135...

In this 28-minute training video, John Dickinson, who created the training site Motionworks, demonstrates how to create broadcast graphics with particles using Boris Continuum Complete 8 for After Effects. Dickinson shows you how to create a dynamic, organic logo reveal using BCC 8 AE's new Particle Emitter 3D filter.

Getting Started with Smoke

November 30, 2011, 03:57 PM

http://provideocoalition.com/index.php/autodesk/st...

There is an old proverb that warns us against the temptation to "run before you learn to walk". This occurs in all aspects of our lives, and I guess that is what makes us human.

Digital Rapids Expands Award-Winning Encoding and

November 30, 2011, 03:57 PM

http://provideocoalition.com/index.php/news/story/...

Digital Rapids today announced the release of version 3.7 of the Digital Rapids Stream software for the company’s StreamZ, StreamZHD and Flux encoding and live streaming solutions. New features in Stream 3.7 include expanded format support including encoding to the Panasonic AVC-Intra format; 64-bit operating system support...

SRMemory - The maximum medium.

November 30, 2011, 03:57 PM

http://provideocoalition.com/index.php/sony/story/...

How many hours are you willing to spend backing up your assets after a long day's shoot? What kind of data protection do you need for an indie project, a TV episode or a 100 million feature? What data rates do you need to record uncompressed 1080p high definition?

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