To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Avid Launches Young Storytellers Competition at Cl
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http://www.avidblogs.com/avid-launches-young-story...
The article Avid Launches Young Storytellers Competition at Claremont High School by Heather Waters appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
Making The Cut: Caroline Bleakley, editor Holby Ci
December 7, 2017, 05:45 AM
https://www.aotg.com/making-the-cut-caroline-bleakley-editor-holby-ci/
Caroline Bleakley discusses her approach to editing television drama, from trusting her instincts to taking time to review edit decisions.
*Mujer entera*, por Germán Cantore (SAE)
December 7, 2017, 05:45 AM
http://saeditores.org/Novedades/Mujer-entera-por-G...
Una síntesis personal de la edición por sus artífices.
Soon: More audio timelines that can automatically
December 7, 2017, 05:44 AM
http://alex4d.com/notes/item/autoreconform-for-mor...
In many video editing workflows, assistant have the thankless task of making special versions of timelines that generate files for others in postproduction. A special timeline for VFX people. A special timeline for colour. A special timeline for exporting for broadcast. A special timeline for audio. Transferring timelines to other departments is called ‘doing turnovers.’ Final Cut Pro X is the professional video editing application that automates the most turnovers. It seems that Appl...
Norman Hollyn, ACE — Favorite Media Composer Fea
December 6, 2017, 06:22 PM
https://www.aotg.com/norman-hollyn-ace-favorite-media-composer-fea/
Norman Hollyn has been described as a “media expert,” a reference to his experience in both the old and new media worlds. He is a long-time film, television and music editor (Heathers, The Cotton Club, and Oliver Stone’s Wild Palms) who is an Associate Professor and Head of the Editing Track in the University of Southern California’s School of Cinematic Arts.
Norman Hollyn, ACE — Advice for Young Editors
December 6, 2017, 12:38 PM
https://www.aotg.com/norman-hollyn-ace-advice-for-young-editors/
Norman Hollyn has been described as a “media expert,” a reference to his experience in both the old and new media worlds. He is a long-time film, television and music editor (Heathers, The Cotton Club, and Oliver Stone’s Wild Palms) who is an Associate Professor and Head of the Editing Track in the University of Southern California’s School of Cinematic Arts.
Going to lunch with my coworker like
December 6, 2017, 12:37 PM
http://renderplease.com/post/168259011575
Review: Red Giant Trapcode Suite 14
December 6, 2017, 12:37 PM
http://postperspective.com/review-red-giant-trapco...
By Brady Betzel Every year we get multiple updates to Red Giant’s Adobe After Effects plug-in behemoth, Trapcode Suite. The 14th update to the Trapcode suite is small but powerful and brings significant updates to Version 3 of Trapcode as well as Form (Trapcode Form 3 is a particle system generator much like Particular, Continue reading → December 6, 2017 The post Review: Red Giant Trapcode Suite 14 appeared first on Randi Altman's postPerspective.
CAPIT anunció las nominaciones para los Premios T
December 6, 2017, 09:02 AM
http://saeditores.org/Novedades/CAPIT-anuncio-las-...
La Cámara Argentina de Productoras Independientes de Televisión (CAPIT) dio a conocer las nominaciones para los Premios Tato a la excelencia televisiva, que galardonan lo más distinguido de la televisión argentina emitido durante 2017.
The S.P.A.A.C.E. Program Edited in DaVinci Resolve
December 6, 2017, 08:04 AM
https://www.aotg.com/the-s-p-a-a-c-e-program-edited-in-davinci-resolve/
Blackmagic Design today announced that Director, Editor, Colorist and Post Supervisor Alex Ferrari used Blackmagic URSA Mini Pro digital film cameras and DaVinci Resolve Studio to shoot, edit, grade and finish the streaming series “The S.P.A.A.C.E. Program.”
#editing#color grading#post production#color correction
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