To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Episode 003 - Attitude Monitors Talent

May 25, 2012, 10:15 AM

http://theashetray.libsyn.com/episode-003-attitude...

Rob talks to director Billy Bollotino (USA Live, Last Comic Standing, CONAN) about his career, the effectiveness of internships, attitude, and Lorne Michaels.

Red Giant Featured in Forbes

May 24, 2012, 03:24 PM

http://feeds.redgiantsoftware.com/~r/redroomblog/~...

Who'd have thunk it? Forbes.com is doing a series of articles on Red Giant, written by Mark Hughes.

Alan Heim Part 1 - Keeping the Audience Interested

May 24, 2012, 09:33 AM

https://www.aotg.com/alan-heim-part-1-keeping-the-audience-interested/

Editor Alan Heim talks with author Bobbie O'Steen at EditFest NY 2010 about the art of "keeping the audience interested", using scenes from the feature film "Star 80". For more information on Editfest NY please go to editfestny.com.

Harry Potter Scenes

May 24, 2012, 09:03 AM

http://www.aotg.com/edl/harry-potter-scenes/

Here it is! The top 5 edited scenes in a Harry Potter film. Be sure to send me your suggestions for next week's EDL: best edited movies based on board games!!

John Harris on Daylies

May 23, 2012, 04:00 PM

https://www.aotg.com/john-harris-on-daylies/

2011 Oscar Nominee for Film Editing on 127 Hours answers the question, "Does anyone watch daylies anymore?" at the 2011 Invisible Art, Visible Artist Film Editor Oscar Nominee Panel.

FreeForm and After Effects CS6

May 22, 2012, 09:34 PM

http://blogs.adobe.com/toddkopriva/2012/05/freefor...

I've gotten a few questions about FreeForm, which is an effect that was bundled with After Effects CS5 and After Effects CS5.5 to distort 2D layers in 3D space.

jumP LA Cuts Better, Stronger, Smarter Spot

May 22, 2012, 09:30 PM

http://www.creativeplanetnetwork.com/the_wire/2012...

The crossover vehicle is still trying to figure itself out – is it a large car? A small SUV? Something in between? jumP LA Editor Patrick Griffin, working with Smuggler Director Filip Engstrom and The Mill, tackles this riddle in a humorous and engaging story of a spot introducing Mazda's new CX-5 crossover.

Top 75 Picture Editors

May 22, 2012, 09:27 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

Thirty-five years ago, our colleagues at the prestigious film journal Film Comment in New York published special 24-page section celebrating film editors...

The Best Edited Films: By the Numbers

May 22, 2012, 09:24 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

The 75 Best Edited Films' years of release range from the 1920s to the 2010s — with 3 titles each in both of those decades. Most of the films cited are from the 1970s...

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