It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 26, 2011, 02:59 PM
http://www.theterenceandphilipshow.com/2011/09/epi...
The trend toward basing creative endeavors on templates has been a trend for many years, culminating in Hollywood’s use of its history as templates for its current production. Whether this is a good or bad thing depends on whether you value your personal creativity, or you’re pushing a budget to get a project finished.
September 26, 2011, 12:00 PM
http://www.fcp.co/final-cut-pro/tutorials/579-usin...
Last week when the 10.0.1 update was announced, 'Roles' seemed to be the answer to exporting your audio out of Final Cut Pro X to another app for post. Does this new 'Media Stems Export method replace OMF?
September 26, 2011, 11:57 AM
http://www.fcp.co/motion/tutorials-for-apple-motio...
A popular effect that's often requested, VU meters that move in sync with the audio track. Here's a good tutorial showing how that's achieved using the audio and quantize parameter behaviors.
September 26, 2011, 11:48 AM
http://feedproxy.google.com/~r/FinalCutWhiz/~3/9gI...
In a recent update to Final Cut Pro X, Apple introduced Roles. Since FCPX is not track-based, some editors were having problems organizing the type of media they had in the timeline. Thanks to Roles, they no longer need to worry. What Are Roles? Roles are basically labels that can be applied to audio, video...
September 26, 2011, 11:48 AM
http://uniquedesigners.wordpress.com/2011/09/26/fc...
so is Media Stems Export a OMF replacement ??? … apple says: Traditional, track-based editing systems require you to constantly rearrange and disable tracks to export audio and video stems. With the latest version of Final Cut Pro X, flexible metadata removes the burden of track management. Use the new Roles tag to label clips...
September 26, 2011, 10:02 AM
http://community.avid.com/blogs/buzz/archive/2011/...
Check out this in-depth article by Oliver Peters available on DigitalContentProducer.com, which takes a closer look at Higher Ground and the film's RED/Avid Media Composer workflow. The film originally moved down a postproduction workflow path based on the fact it would be edited using Final Cut Pro until editor Colleen Sharp came on board and the team began working with Media Composer--three weeks after the start of production faced with two and a half weeks of dailies in ProRes.
September 26, 2011, 10:01 AM
http://www.macvideo.tv/editing/interviews/?article...
Gary Adcock gives his views of the current state of post production. In-depth discussion covering Final Cut Pro X and the shake-up which has resulted since its release; the surge of Adobe in the digital video scene; the strength of Avid Media Composer; and power of Smoke on the Mac. Gary is well known in the digital video scene, having spoken all over the world and consulted for clients at the highest levels,.
September 26, 2011, 10:00 AM
http://www.larryjordan.biz/tips/tip293.html
Introducing high-speed edits with one keystroke! Did you know that you could add edits to a clip while playing the Timeline? This is perfect for cutting to the beat of music in real time.
September 26, 2011, 09:58 AM
http://neilsadwelkar.blogspot.com/2011/09/avid-and...
Apple is still selling Final Cut Studio 3 which contains Final Cut Pro 7, Motion, Compressor, Soundtrack Pro, Color.DVD Studio Pro. For the price of about Rs 60,000 or maybe lower, this is still a good bargain.
September 26, 2011, 09:47 AM
http://postproducersdigital.blogspot.com/2011/09/b...
Here's some insights into broadcast television series post production- The explosion of digital camera formats has given producers an unprecedented variety of choices for shooting scenes: Flip Phones, iPhones, Canon D5 and D7 cameras, Panasonic P2 and AVX-HD cameras, Arri Alexa, Sony F3 and numerous others, each with its own unique CODEC
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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