It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 15, 2011, 10:37 AM
http://roosterpost.wordpress.com/2011/12/15/market...
We're honored to have made Marketing Magazine’s 2011 Agency Tree What A Production Top Three for Post Production. This latest accolade is an affirmation for us. We believe that if you do great work, you attract great work. Regardless of …
December 14, 2011, 06:08 PM
https://www.aotg.com/ace-eddies-highlight-reel/
ACE EDDIE'S HIGHLIGHT REEL
December 14, 2011, 05:45 PM
http://editorunderconstruction.blogspot.com/2011/1...
Joel Cox discussing his work in these three videos.
December 14, 2011, 05:42 PM
http://www.abc.net.au/radionational/programs/movie...
Now let's turn to Australian film, and the art of editing. Most screen academies list editing under the heading of craft, along with sound design and cinematography. I call it art because, as the documentary maker Alec Gibney remarked last year, editing is the final stage of writing...even rewriting a story.
December 13, 2011, 03:50 PM
http://www.btlnews.com/awards/contender-portfolios...
The production of Tinker, Tailor, Soldier, Spy had the blessings of author John Le Carre, but the challenge of staying faithful to the intent of the original 349-page novel with its intricate details while adapting it into a two-hour feature fell not only upon the screenwriters, but also on editor Dino Jonsater.
December 13, 2011, 12:12 PM
https://www.aotg.com/eps-79-cce-sound-panel-part-2/
Part Two of the Sound panel with Jane Tattersall, Mark Gingras, Jill Purdy, Steve Foster, David Hayman, and Michael Doherty C.C.E. In this part the sound editors discuss their standard workflow and relationships. As well as some of their process in the editing process.
December 13, 2011, 10:02 AM
http://www.joyoffilmediting.com/index.php/archives...
After a long lapse, an excuse to write about Thelma Schoonmaker – in a category of her own among living U.S. editors – due to the article about her in the latest Editor's Guild magazine. Schoonmaker began collaborating with Scorsese on Woodstock, and has received three Oscars on movies they made together...
December 10, 2011, 02:49 PM
http://manhattaneditworkshop.blogspot.com/2011/12/...
Editor Adam Bolt talks about the vast about of research that went into making Inside Job. For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by John Schlirf.
December 10, 2011, 08:26 AM
http://www.jaa-editing.com/blog/almost-there-but-n...
Principal shooting on The Pirates! has finished. The cut is (mostly) locked. Many of the sets have been dismantled, shooting crew have left, and we can still get parking spaces if we arrive slightly late. We even have Shaun The Sheep setting up where the Pirates sets used to be.
December 10, 2011, 08:23 AM
https://www.aotg.com/why-we-make-that-edit-part-4-of-4/
We put together this panel of experienced editors to discuss why we make the edit, not how. With over 100 years experience on the panel, there is a lot to learn about the creative process here.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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