It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 11, 2019, 07:12 AM
https://variety.com/2019/artisans/news/silicon-val...
Barnstorm VFX, the company behind the visual effects on Amazon Studios’ “The Man in the High Castle” (pictured above), “HBO’s Silicon Valley” and CBS’ “Strange Angel,” has opened a new facility in Vancouver, British Columbia. The move positions the boutique digital effects, design and production shop to take advantage of expanding work north of the border as well as British Columbia’s highly competitive tax incentives.
May 11, 2019, 07:12 AM
https://www.youtube.com/watch?v=3q-o1RZ6lok
Join me for our very first public Live Stream. Hit the notification thingie so you don't miss it. Vinnie, Steve & I have you over for coffee to discuss editing and our new film editing course: https://thisguyedits.com/thegotoeditor
May 10, 2019, 01:11 PM
https://www.artofvfx.com/bumblebee-vfx-reel-by-can...
Come have a look at the motion design and VFX work of Cantina Creative on BUMBLEBEE...
May 9, 2019, 03:57 AM
https://mitsloan.mit.edu/ideas-made-to-matter/why-...
Ed Catmull has a computer science PhD, introduced computer graphics technology to Lucasfilm, cofounded Pixar Animation Studios, worked side by side with Steve Jobs, and spearheaded the creative team behind animated blockbusters like "Toy Story" and "Ratatouille."
May 9, 2019, 03:56 AM
https://www.screeneditors.com.au/talking-editing-s...
Vivid Ideas and SFF Present Talking Editing In conjunction with the Sydney Film Festival and Vivid Sydney, the ASE invites you to meet two of Australia's master Editors who will be discussing their films featured in the 2019 Sydney Film Festival. Nick Meyers ASE ("Palm Beach") and Dany Cooper ASE ("Judy & Punch") will be […]
May 8, 2019, 06:12 AM
https://www.asoundeffect.com/avengers-endgame-soun...
Supervising sound editor Shannon Mills has worked on a number of Marvel movies, and in this exclusive A Sound Effect interview, he gives you the in-depth story about that Avengers: Endgame sound - including the audio team's tactics for creating sounds that match the scale of what’s on-screen, how they kept the epic battles from becoming a chaotic mess, working with (and recreating) unique superhero signature sounds & much more:
#sound design#marvel#film sound#avengers endgameMay 8, 2019, 03:58 AM
https://variety.com/2019/film/news/ace-eddie-award...
The American Cinema Editors organization has moved the 70th Annual ACE Eddie Awards forward by three weeks to Jan. 17.
May 7, 2019, 10:21 AM
https://io9.gizmodo.com/avengers-endgames-editor-c...
Avengers: Endgame is a movie almost entirely about providing a sense of payoff—to varying degrees of success—to 11 years of Marvel moviemaking. But one of its most powerful payoffs to the entire Marvel Cinematic Universe wasn’t actually in the film from the start. In fact, it didn’t even come from the Russo brothers or the screenwriters.
May 6, 2019, 10:01 AM
https://www.artofvfx.com/a-dogs-way-home-matt-welf...
Matt Welford began his career in the visual effects in 1999 at Mill Film as digital compositor. He then worked in many studios such as Weta Digital, MPC, Sony Pictures Imageworks before joining Pixomondo in 2017. As a VFX Supervisor, he took care of the effects of many movies like THE CHRONICLES OF NARNIA: THE VOYAGE OF DAWN TREADER, GREEN LANTERN and AMERICAN SNIPER.
May 5, 2019, 11:34 AM
https://www.youtube.com/watch?v=9zj5a_XpH7U
The time is finally here for me to launch my premium online editing course: http://www.thegotoeditor.com The Go-To Editor: designed to put your editing career on a path of success. This course is for beginners and intermediates and can be used with any editing system. As a matter of fact, if you don't have any editing software, I'll show you in the course how to get started with DaVinci Resolve (which is a free download). The course has 6 Modules and covers basic editing, advanced...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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