To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Bonus Eps. The Strange Ones

November 23, 2017, 02:22 PM

https://soundcloud.com/aotgnetwork/bonus-eps-the-d...

Gordon sits down with the directorial team of Christopher Radcliff and Lauren Wolkstein to discuss their first feature film "The Strange Ones". This episode was edited by Carlee McKeating.

32 MDQ: Nominados a Mejor Montaje Competencia Inte

November 23, 2017, 12:21 PM

https://edaeditores.org/32-mdq-nominados-a-mejor-m...

Cláudia Oliveira, Edgar Feldman y Luísa Homem editaron juntos la película A fábrica de nada de Pedro Pinho. Los tres están nominados al premio al Mejor Montaje de películas en competencia Internacional que otorgará EDA en la 32ª edición del Festival Internacional de Cine de Mar del Plata y nos cuentan el proceso de edición de esta película: Luísa Homem: […]

[32] MDQ: Nominados a Mejor Montaje – “Invisib

November 23, 2017, 12:21 PM

https://edaeditores.org/32-mdq-nominados-a-mejor-m...

María Astrauskas (SAE), editora de Invisible, nos cuenta cómo fue el proceso de montaje de la película dirigida por Pablo Giorgelli, nominada al premio al Mejor Montaje de películas en Competencia Internacional, que otorgará EDA en la 32ª edición del Festival Internacional de Cine de Mar del Plata: “El montaje de Invisible fue un proceso […]

How the FCC is Screwing Filmmakers

November 23, 2017, 12:21 PM

https://nofilmschool.com/2017/12/indie-film-weekly...

This episode of Indie Film Weekly laments the doomed fate of Net Neutrality and the 600mhz band.

*El puto inolvidable*, por Martín Senderowicz

November 23, 2017, 06:47 AM

http://saeditores.org/Novedades/El-puto-inolvidabl...

Una síntesis personal de la edición por sus artífices.

The A-List — Nancy Forner, ACE, Associate Profes

November 23, 2017, 06:46 AM

http://www.avidblogs.com/the-a-list-nancy-forner-a...

The article The A-List — Nancy Forner, ACE, Associate Professor of Cinema Practice at USC by Avid appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Shooting for the Edit...

November 22, 2017, 06:46 PM

https://nofilmschool.com/2017/11/shooting-edit-how...

We all know filmmaking takes a lot of planning and preparation, including coming up with a shot list to make principal photography less confusing. But even if you're a run-and-gun shooter who doesn't have a whole lot of time to carefully plan every shot before you shoot it, you can still not only keep your production on the right track but also get the shots you need to make your final edit more dynamic and entertaining. Jordy Vandeput of Cinecom shows you how in the video below.

Blade Runner 2049’s ‘dynamic’ and emotional

November 22, 2017, 12:42 PM

http://postperspective.com/blade-runner-2049s-dyna...

By Jennifer Walden “This film has more dynamic range than any movie we’ve ever mixed,” explains re-recording mixer Doug Hemphill of the Blade Runner 2049 soundtrack. He and re-recording mixer Ron Bartlett worked with director Denis Villeneuve to make sure the audio matched the visual look of the film. Continue reading → November 22, 2017 The post Blade Runner 2049’s ‘dynamic’ and emotional mix appeared first on Randi Altman's postPerspective.

SALE: Our 40%-Off Sale is Coming Dec. 5!

November 22, 2017, 12:42 PM

http://feeds.redgiantsoftware.com/~r/redroomblog/~...

Folks – Don’t fall victim to Black Friday or Cyber Monday! Save your money… for just a little while longer. On Tuesday, December 5, 2017, we are having our Red Giant Year End Sale. We’re also giving away a TON OF PRIZES leading up to the sale. Here’s what you need to know: The post SALE: Our 40%-Off Sale is Coming Dec. 5! appeared first on Red Giant.

The Best Black Friday Deals for Film Editors

November 22, 2017, 09:29 AM

https://jonnyelwyn.co.uk/film-and-video-editing/th...

A quick round up of the best discounts, savings and coupon codes during Black Friday and Cyber Monday for post production professionals...

#black friday#savings

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