To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

POST PRODUCTION WEEK

November 8, 2010, 11:03 AM

http://www.elskid.com/blog/post-production-week

Something I hear over and over in conversations about DSLRs, particularly with photographers, is that people know bugger all about editing. I don’t care how gorgeous your footage is, and I’ve taken flak for saying this on Twitter, but videos, unlike photos, take place over time, and as a result, your skill as a filmmaker is about how you repay people for the time they elect to give you. Never, ever, forget that. This is why editors wield so much power.

The sound of Vietnam

November 6, 2010, 03:58 PM

http://www.salon.com/entertainment/col/srag/2000/0...

A classic article on how Walter Murch created a soundtrack of horror for Francis Ford Coppola's "Apocalypse Now."

Mark Livolsi on the Toughest cut in Almost Famous

November 5, 2010, 04:32 PM

http://www.artoftheguillotine.com/assocvideo.php

Mark Livolsi discusses his toughest cut in Almost Famous. This is part of the Manhattan Edit Workshop in NY and the ACE Edit Fest nyeditfest.com

Demystifying Codecs Part 7 of 12

November 5, 2010, 04:30 PM

http://www.artoftheguillotine.com/assocvideo.php

Australian Screen Editors presents "Demystifying Codecs", a seminar on video codecs by Chris Reynolds. This is part 7 of 12. Topics covered in this part include: H264 Settings, Data Rate, Keyframes, Multi-pass Vs. Single-pass, Quality Slider, Scaling, Deinterlace. Chris Reynolds is an editor at ActiveMotion.

Fredrick Wiseman: Luck, Judgement and Patience

November 4, 2010, 09:42 AM

http://mediajock.blogspot.com/2010/07/fredrick-wis...

I got some insight into what kind of temperament one needs to sustain a 60 year career in documentary when I asked Fredrick Wiseman what I imagined to be a fair question: What recent trends in documentary film do you find heartening or perhaps disheartening? "I don't go to films. I mostly read." I pressed him: "You don't watch films? When you go to film festivals or these kinds of events?"

Inglourious editors: A View into the Cutting Room

November 4, 2010, 09:33 AM

http://www.joyoffilmediting.com/?p=3131

MovieMaker magazine, professes to be "The World’s Best-Selling Independent Movie Magazine." So when the editor solicited me for an article for their Fall edition in exchange for ad space about my latest book (Film Editing: Great Cuts Every Filmmaker and Movie Lover Must Know), I accepted her proposition. I wrote and titled this extensive piece weeks...

FCP - Displaying Source or Auxiliary Timecode

November 3, 2010, 10:54 AM

http://www.larryjordan.biz/tips/tip240.html

Here's a fast way to switch your display between timecode tracks.

Interview Clips

November 2, 2010, 08:08 PM

http://splicehere.org/2010/11/02/interview-clips/

Larry Jordan, editor of features and television and the founder of 2pop.com is building a new web site, with lots of interesting content: Hollywood Reinvented. He’s posted six short clips from an interview he did with me recently. Subjects include:

Editors and Assistants Panel

November 2, 2010, 08:06 PM

http://splicehere.org/2010/11/02/editors-and-assis...

Last month I participated in a well-attended panel discussion on the evolution of the editor/assistant relationship. A nicely edited video from the session has been posted by the sponsor, the post house AlphaDogs. Expertly moderated by Debra Kaufman, the panel included me, Diana Friedberg (co-author of the new book, Make the Cut: A Guide to Becoming a Successful Assistant Editor in Film and TV), and our terrific assistants Peter Mergus and Carsten Kurpanek.

VFX Editor Ryan Moos Interview

November 2, 2010, 11:26 AM

https://www.aotg.com/vfx-editor-ryan-moos-interview/

Ryan R. Moos, Visual Effects Editor, Editor, Assistant Editor During his time at Video Symphony in the Film & TV Editing program he branched out and took additional motion graphics and effects classes beyond the required coursework. His hard work has certainly paid off with the box office hit, Beverly Hills Chihuahua under his belt along with other exciting projects including the TV Series Knight Rider, the independent feature film The Narrows...

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