To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Shedding light on editors for over a year

October 13, 2010, 09:04 AM

http://www.joyoffilmediting.com/?p=3072

I want to see you – here! If you're do any kind of editing – picture, sound, assisting, VFX, negative – on any kind of piece – student, infomercial, feature, doc, drama, etc. – I would love to post a photo of you in your cutting room, wherever it is. Feel free to send any kind of photo: professional, arty, funny, etc. Here's an example...

Master of the Hidden Cut: Interview with Coates

October 12, 2010, 11:08 AM

http://www.moviemaker.com/editing/article/master_o...

During her more than 50 years in the craft, film editor Anne Coates has been a stealth collaborator and ally to many of the world's finest directors including Sidney Lumet, David Lynch, Milos Forman, Lawrence Kasdan and Steven Soderbergh. She has left her mark on a remarkable catalogue of films that contains more gems than the crown jewels of merry old England. Starting with The Pickwick Papers in 1954, Coates went on to edit such films as The Horse's Mouth, Lawrence of Arabia.

What I'm Working On

October 12, 2010, 11:06 AM

http://robgwilson.com/2010/10/11/what-im-working-o...

Okay, so it's been a while since I've done what I originally intended to do with this blog: keep my various projects aggregated into one site. I'm slowly getting back into it, and I think I'll start back off by going in reverse order, starting with my project from the last few weeks.

Turner Classic Movies Interview with Anne Coates

October 12, 2010, 11:04 AM

http://www.tcm.com/thismonth/article/?cid=67245&ma...

Turner Classic Movies interviews Anne V. Coates about her career and work.

Beyond Survival: Barry Farrell interview

October 11, 2010, 10:57 AM

http://lesstroud.ca/news/behind-les-stroud-beyond-...

Barry Farrell has worked in tandem with Les Stroud for more than three years, joining the Huntsville-based production company during Survivorman Season 2 and continuing as Senior Editor through Survivorman Season 3. As Producer and Senior Editor, Barry is principally responsible for bringing Les' newest adventures in Les Stroud Beyond Survival to life.

Editor Christopher Rouse on The Bourne Ultimatum

October 10, 2010, 08:23 AM

http://www.studiodaily.com/filmandvideo/currentiss...

The big-budget thriller is enjoying something of a renaissance lately — lots of people are excited by blockbuster action pictures like Transformers and Live Free or Die Hard, but the arrival of a newer, grittier James Bond last year in Casino Royale was a development that was greeted with critical and public acclaim alike. And while the trilogy of Jason Bourne movies that began with 2002's The Bourne Identity (and which arguably influenced the new direction of the Bond franchise) has been...

Michael Barenbaum Interview at SXSW

October 9, 2010, 12:28 PM

https://www.aotg.com/michael-barenbaum-interview-at-sxsw/

Paul Terry Walhus of AustinCast.com interviews Michael Barenbaum. Michael is a Film Editor, his latest movie is the Marconi Brothers about two rug sales men. Shot on 35 mm film and edited on Final Cut Pro. Debuted at SXSW 20008.

Guy Maddin talks about his editing style

October 9, 2010, 12:13 PM

https://www.aotg.com/guy-maddin-talks-about-his-editing-style/

This is a clip from the Media Funhouse interview of Guy Maddin, which took place in May 2007 during the NYC run of "Brand Upon the Brain!" as a live theatrical experience (the film was shown at the Village East for one week's worth of screenings with a live mini-orchestra, Foley artists, a castrato singer, and a live celebrity narrator). The mention of Lou Reed refers to Reed's having narrated the film the night before this interview was shot. Maddin offers here his reflection on his work...

Why isn't satisfying customers enough?

October 8, 2010, 08:01 PM

http://www.philiphodgetts.com/2010/10/why-isnt-sat...

This week I had an unplanned trip to Boston to fill in at the Boston FCP User Group meeting for Rich Harrington who'd suffered a back problem and wasn't able to travel. I travelled American Airlines instead of my normal choice, JetBlue.

Master Multicamera Techniques is a must have book

October 8, 2010, 03:49 PM

http://provideocoalition.com/index.php/ssimmons/st...

Quite a few months ago I had a long conversation with editor Mitch Jacobson about multicam editing. The point of this conversation was to, hopefully, provide some good information on multicam editing for what was then his upcoming book about the topic. That book has finally gone into print and I picked up a copy not long ago and began reading it. Besides the much appreciated contributing writer...

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