It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 13, 2017, 06:04 PM
http://www.goldderby.com/article/2017/composer-ale...
During our recent webcam chat (watch the exclusive video above), composer Alexandre Desplat reveals that upon seeing “The Shape of Water” for the first time, he was “in awe by the beauty of it.” Directed by Guillermo Del Toro, this Cold War era drama centers on a mute woman named Eliza (Sally Hawkins), who works as a maid in a top-secret government lab.
November 13, 2017, 02:42 PM
http://renderplease.com/post/167454097135
In an hour-long sequence
November 13, 2017, 10:16 AM
https://www.provideocoalition.com/consolidator/
Why hello there! It’s been quite some time since I’ve done some After Effects scripting work, and I’ve been a bit MIA in the After Effects community lately. That is mostly due to the 3D transition I have been making over the years, and more so recently. I’ve been diving pretty hardcore into Houdini, Cinema4D, X-Particles, and TurbulenceFD as of late. None of those new by any means for me, but have just been in sharper focus as I push harder and harder to expand my skill set. I’ve even ...
November 13, 2017, 05:42 AM
http://www.fcp.co/final-cut-pro/articles/2017-sam-...
We continue to publish the videos from The FCPX World event at IBC. And we start off with two highly anticipated presentations.
November 13, 2017, 05:41 AM
http://www.creativebloq.com/inspiration/10-visual-...
In the design industry, storytelling doesn't mean reading a book; it has a wider meaning connected with communicating the story behind a product, company or brand.
November 13, 2017, 05:41 AM
http://nofilmschool.com/2017/11/10-things-will-hel...
Pacing can be a difficult concept to wrap your head around. Should your scene unfold quickly or slowly? How do you know when you've nailed it? Are there any guidelines to follow when you're not sure? Well, even though you may have to put a significant amount of trust in your instincts to really get the pacing of your film right, there are a lot of practical things you can do to get it closer to where you want it to be, and Kris Truini of Kriscoart goes over ten of them in the video below.
November 12, 2017, 07:39 AM
https://digitalfilms.wordpress.com/2017/11/11/subu...
George Clooney’s latest film, Suburbicon, originated over a decade ago as a screenplay by Joel and Ethan Coen. Clooney picked it up when the Coens decided not to produce the film themselves. Clooney and writing partner Grant Heslov (The Monuments Men, The Ides of March, Good Night, and Good Luck), rewrote it as taking place […]
November 12, 2017, 07:39 AM
http://variety.com/2017/film/global/star-wars-carr...
With more than 40 films to his credit, spanning genres from comedy to suspense and sci-fi, Oscar-winning editor Paul Hirsch has much to offer in counsel to younger filmmakers as he visits Camerimage Film Festival for his award for “unique visual sensitivity.”
November 11, 2017, 02:01 PM
https://journaldunemonteuse.wordpress.com/2017/11/...
A chaque montage, sa méthodologie ! Première semaine d’un nouveau court-métrage de fiction, produit par NORTE et né sous une belle étoile (ARTE). Je suis encore étonnée d’explorer une nouvelle manière de travailler. Je crois que pas un film ne … Lire la suite →
November 11, 2017, 08:46 AM
http://www.thepoweredit.com/crazy-music-energy-and...
Today, we have not one but TWO Pro Tip How-To videos from Story Greenlight. I dare you to watch them and not have your edit skills jump up multiple notches. First: Cutting picture to the beat of your music is a powerful way to raise the energy in your edit. Here’s how to avoid the … Continue reading Crazy music energy, and crazy smooth picture edits →
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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