It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 30, 2010, 12:55 PM
https://www.aotg.com/cutting-room-eps-031-michael-r-miller-pt-1/
This week Gordon interviews Michael R. Miller, editor of Swing Kids, Raising Arizona, Stigmata and Ghost World as well as many other great films.
May 27, 2010, 05:09 PM
http://normanhollyn.com/2010/05/27/the-right-tool-...
AppleInsider had an article on May 18, 2010 which was titled "Apple Scaling Final Cut Studio Apps to fit prosumers" which generated a ton of blogosphere panic. Even I was caught up in the rumor mongering here, reacting to a post I’d read on Twitter and then, after reading the AI piece, tweeting about it myself.
May 25, 2010, 04:56 PM
http://www.moviemaker.com/editing/article/learn_fr...
The 2010 EditFest NY, presented by American Cinema Editors (ACE) and the Manhattan Edit Workshop, will give editors and those interested in editing the chance to learn from some of the best editors currently in the business, including the editors of Avatar, Precious and the Pirates of the Caribbean series—all of whom will be on hand to talk about their process and interact with attendees. Festival organizer Josh Apter, of Manhattan Edit Workshop, answered some our questions about the highly-an...
May 25, 2010, 04:56 PM
http://www.studiodaily.com/blog/?p=3269
Founder/editor Hal Honigsberg’s output at chrome in Santa Monica, CA, runs the gamut from slick spots like high-end car commercials or a Jake Scott :60 featuring Visa’s relationship as a worldwide partner for the 2010 FIFA World Cup, to a music video that was recently installed as part of an exhibit at the Tate Modern.
May 25, 2010, 04:54 PM
https://www.editorsguild.com/FromTheGuild.cfm?From...
Dede Allen, A.C.E., was fondly remembered at memorial services held in Los Angeles and New York on May 16. On both coasts, friends, colleagues and family members viewed clips of films that Allen edited and shared stories and tributes to their friend, mentor and champion.
May 25, 2010, 04:54 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
On Saturday morning, March 6, the eve of the Academy Awards, the American Cinema Editors (ACE) held its tenth annual Invisible Art/Visible Artists Seminar with the Oscar-nominated picture editors to a full house at the Egyptian Theatre in Hollywood.
May 25, 2010, 04:54 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
For nine weeks, Chris Innis was embedded with director Kathryn Bigelow and the crew on the Jordanian locations of The Hurt Locker. "Just from the standpoint of shooting on location in the Middle East, this was a very difficult film to do," she says. "It was very trying for everybody." Innis was in Jordan because Murawski, originally hired by Bigelow, was exhausted from three years working on Sam Raimi’s Spider-Man series, and could not make the overseas commitment.
May 25, 2010, 04:53 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
The lights went up. The audience of eager editing students didn’t seem to know whether to weep or applaud. So they did both. In a few short hours, one of them, Mohammed Suliman, had taken several minutes of raw footage documenting a disabled shopkeeper and found the story of the local merchant’s...
May 25, 2010, 04:52 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
A Visual Recap in the ACE Eddie Awards
May 22, 2010, 04:50 PM
http://www.editorsguild.com/v2/magazine/archives/0...
While the story may be a folksy one, the technology and post-production magic required to bring this timeless tale to the big screen in the 21st century was a massive undertaking.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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