To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Edit Bay Eps. 19 -The Assistant Editor

January 1, 2010, 07:13 AM

http://lfhd.net/2009/12/31/the-edit-bay-ep-19-the-...

The ninteenth episode of THE EDIT BAY is now available for download. This one is about assistant editors...the unsung technical heroes. Oh, and I eat a cookie.

Gladiator | Editor Pietro Scalia | BAFTA

December 31, 2009, 06:09 AM

https://www.aotg.com/gladiator-editor-pietro-scalia-bafta/

Film editor Pietro Scalia talks to journalist Mark Salisbury about working on Ridley Scott's BAFTA-winning epic, Gladiator. Discover how he dealt with the death of Oliver Reed three weeks before finishing shooting.

Edit This! Chris Nelson on Cutting Lost and Mad Me

December 30, 2009, 06:07 AM

http://www.postmagazine.com/Publications/Post-Maga...

Christopher Nelson, ACE, has what many would consider a dream job. During the summer he's editing AMC's Emmy Award-winning Mad Men, and in the winter he turns his attention to the phenomenon known at ABC's Lost — he is currently cutting the last season of the show.

Menke Talks Tarantino, Cannes and Kill Bill 3

December 29, 2009, 06:05 AM

http://www.movieline.com/2009/11/sally-menke.php

There’s one woman in the world who understands Quentin Tarantino better than anybody, and that’s Sally Menke. Since her work on Reservoir Dogs, Menke has cut every single one of Tarantino’s films, and for the last decade, she’s eschewed almost all other jobs to devote herself solely to the genre-blending auteur. This Sunday, Menke will be receiving the Lifetime Achievement honor at the Hamilton Behind the Camera Awards, and as Inglourious Basterds begins its transformation from unexpecte...

Editing in India with Marthand K. Venkatesh

December 28, 2009, 06:05 AM

http://www.idlebrain.com/celeb/interview/marthandk...

There is a saying that a film is made on two tables. One is story table and the other is editing table. It is left to the editor to change the fortune of the film with fine editing. Marthand K Venkatesh is an ace film editor in Telugu film industry today. 70% of the film he edited went on to become the blockbusters. Idlebrain.com has met up with him and a long personal as well as technical interview on film editing. Here are the excerpts...

Interview with Ken Swallows

December 28, 2009, 06:04 AM

http://archive.sensesofcinema.com/contents/01/14/s...

Ken Sallows is one of Australia's most noted editors. His career started in the 1970s working at Crawford Productions on legendary TV shows like Homicide, Bluey, and The Sullivans. He moved into the film world as an assistant editor on Fred Schepsi's The Chant of Jimmy Blacksmith (1978). His break as a feature editor came with Malcolm (Nadia Tass, 1986). Since then he has worked on some of Australia's most critically acclaimed films including Celia (Ann Turner, 1989), Proof (Jocelyn Moorhouse...

Interview with Skip Spiro

December 27, 2009, 06:02 AM

https://www.editorsguild.com/skipspiro.cfm?

The Editors Guild interview with Skip Spiro is available. His work includes Notes From the New World, Brothers in Blood and Go For Broke.

Interview with Mick Audsley Pt. 2

December 25, 2009, 05:57 AM

https://www.editorsguild.com/FromTheGuild.cfm?From...

In part one of Garrett Gilchrist’s interview, veteran British film editor Mick Audsley talked about his work on Terry Gilliam’s upcoming The Imaginarium of Dr. Parnassus. His second collaboration with Gilliam will always be remembered as Heath Ledger’s last film but, according to Aubrey, salvaging both Ledger’s performance and, in the process, the film itself, will serve as a lasting memorial to the actor, who died during production at the age of 28.

© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.