It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 15, 2009, 12:40 PM
https://www.aotg.com/cutting-room-eps-017-tom-haneke-pt-3/
Here's the final part, part 3, of Gordon's interview with Tom Haneke, editor of such films as From Mao to Mozart, American Dream and American Teen. The focus of this weeks discussion is his work on the film American Teen and technology.
September 13, 2009, 06:45 PM
http://provideocoalition.com/index.php/ssimmons/st...
There’s a great article on the Village Voice blogs by A History of Violence screenwriter Josh Olson titled I Will Not Read Your Fucking Script. It’s a must read for any editor who has spent a good portion of their career editing professionally and has an extended group of family and friends who know what he or she does for a living.
September 12, 2009, 06:44 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
A handful of television editors at different stages in their careers recently sat down with Editors Guild Magazine to discuss the past, present and future of editing for TV. It was a chance to look at how things used to be done, how the editor’s job has changed with the transition to digital technology, and how things might proceed into the future.
September 12, 2009, 06:43 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
When do we make an edit? Where do we make an edit? Increasingly in this post-MTV age of cinema, the question arises: How often do we edit? When I’m lecturing at the Directors Guild, teaching editing workshops for the intensive program at Video Symphony, or teaching Avid-certified courses at Moviola Digital, I find the answer is increasingly: "Edit often." Students can show observable anxiety if footage lasts more than a second before another cut is made.
September 11, 2009, 06:40 PM
http://lfhd.net/category/podcast/
Little Frog in HD now has a podcast titled The Edit Bay. In it Shane Ross gives stories about his work and how he's gotten to where he is today.
September 8, 2009, 07:05 PM
http://editmentor.wordpress.com/
The world has changed to the point where virtually anyone who really wants to can grab a camera and some editing software and create their own film and tv content. As a filmmaker, videographer, or film/tv editor you probably know how to push the buttons on your editing system of choice. Let’s face it, any trained monkey can push buttons. In the middle all the button-pushing, it might not always be clear when to push the buttons... and more importantly why.
September 8, 2009, 12:39 PM
https://www.aotg.com/cutting-room-eps-016-tom-haneke-pt-2/
This week Gordon continues his interview with Tom Haneke editor of such films as From Mao to Mozart, American Dream and American Teen. The focus of this weeks discussion is his work on the film American Teen.
September 6, 2009, 06:25 PM
http://www.philiphodgetts.com/2009/09/05/why-might...
My friend James Gardiner wrote an interesting post "Are large Post Houses a sunset industry?" and it set me thinking. Now James is writing from an Australian perspective and "large post house" and "boutique" post house have quite different expectations of size than the Australian context. (For example, Alpha Dogs in Burbank bill themselves as a "boutique" post house but in Sydney or Melbourne they’d be one of the larger post houses.)
September 5, 2009, 06:22 PM
http://splicehere.wordpress.com/2009/09/04/assista...
The more we move away from tape as a way to get in and out of an Avid — and the more we move to HD — the more people start to wonder what the assistant’s role is. Assistants used to have primary responsibility for input and output. Of course, that’s just one part of the job, but it’s a key part.
September 4, 2009, 06:21 PM
https://www.aotg.com/artist-in-residence-carol-littleton/
Manhattan Edit Workshop artist in residence Carol Littleton giving a lecture.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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