It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 19, 2016, 09:09 PM
http://www.btlnews.com/awards/contenders-vfx-artis...
For their visual effects in The Revenant, Industrial Light and Magic scored another Oscar nomination, citing Rich McBride, Matthew Shumway, Jason Smith, and Cameron Waldbauer’s photorealistic work in the film. In the 40-year history of ILM, the company has scored 15 Oscar victories and has been nominated 29 times. The post Contenders – VFX Artists Rich McBride, Matthew Shumway, Jason Smith, Cameron Waldbauer, The Revenant appeared first on Below the Line.
February 19, 2016, 09:08 PM
http://collider.com/deadpool-colossus-actors-video...
When cameras began rolling on Deadpool, then still a risky R-rated superhero bet on 20th Century Fox’s part, fans were curious to see how closely the film would be tied to the X-Men universe.
February 19, 2016, 01:32 PM
http://www.studiodaily.com/2016/02/vfx-supervisor-...
Writer-director-producer Alejandro González Iñárritu’s intense survival film The Revenant has been nominated for 12 Oscars. Among those in contention are Leonardo DiCaprio, who has the lead role of Hugh Glass, a fur trader in the 1820s, who is attacked by a bear — a … more » The post VFX Supervisor Richard McBride on The Revenant appeared first on Studio Daily.
February 19, 2016, 01:32 PM
http://www.cgmeetup.net/home/the-warriors-way-vfx-...
Watch The Warrior’s way VFX Breakdown by Mofac & Alfred. Director : Sngmoo Lee, VFX Supervisor : Seongho Jang & Technical Director : Youngsu Park.
February 19, 2016, 10:19 AM
https://www.aotg.com/3d-topographic-maps-in-after-effects/
Do you need to make 3D topographic maps? Sure you do, thats why you're watching this after effects tutorial. anyways if you don't you'll learn some good tips. Enjoy.
February 19, 2016, 10:18 AM
http://www.artofvfx.com/deadpool-ryan-tudhope-vfx-...
In 2012, Ryan Tudhope explained to us in detail about the work of Atomic Fiction on LOOPER. He then take care of the visual effects of projects such as FLIGHT, THE LONE RANGER or GAME OF THRONES.
February 19, 2016, 10:18 AM
http://cinefex.com/blog/now-showing-cinefex-145/
Wait! What? That’s not right. It’s only two months since the last Cinefex was out. It can’t be time for a new issue already.
February 19, 2016, 10:18 AM
https://www.rocketstock.com/blog/double-negative-v...
Double Negative (Dneg) is a full-service VFX house and computer animation studio based out of London. Started in 1998, the company has since gone on to work on major blockbuster franchises like Harry Potter, The Dark Knight, and Marvel.
February 19, 2016, 06:31 AM
http://www.3dtotal.com/interview/747-combining-for...
With the original Star Wars trilogy incorporating practical innovations with miniatures and motion-control cameras, and the prequel trilogy pushing the boundaries in the creation of CG characters and digital environments, Roger Guyett (Star Trek) decided to take the best from both worlds when supervising the Oscar-nominated visual effects for Star Wars: Episode VII – The Force Awakens. 2,100 visual effects shots were created by Industrial Light & Magic facilities in San Francisco, London, Vanc...
February 18, 2016, 01:35 PM
http://www.cgmeetup.net/home/cinderella-vfx-breakd...
MPC’s team lead by VFX Supervisor Patrick Ledda worked closely with Director Kenneth Branagh and Production VFX Supervisor Charley Henley, delivering more than 500 shots for the movie. Work ranged from creating creatures including a family of mice, lizards, geese and butterflies to human digi doubles, complex magical transformations and extensive environment work.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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