It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 13, 2013, 04:27 AM
http://news.creativecow.net/story/872775
New Release Unites Visual Effects and Editorial Finishing with Intuitive Workflow and Enhanced Color Grading Integration...
September 13, 2013, 04:26 AM
http://news.creativecow.net/story/872766
Self-contained 1 Beyond LTOMac combined with DNA Evolution’s media intelligent software helps simplify file-based workflows in the field, studio, and post...
September 13, 2013, 04:26 AM
http://news.creativecow.net/story/872788
(Amsterdam, The Netherlands--September 13, 2013) IBC 2013, Academy and Emmy Award-winning developer Colorfront will underline its reputation as an industry-leading technology innovator as it previews performance-boosting advances for 4K and Ultra High Definition Television (UHDTV) production and post production...
September 13, 2013, 04:26 AM
http://news.creativecow.net/story/872783
Production teams gain radically simple media management with quick, safe, cost-effective LTO-tape storage
September 13, 2013, 04:26 AM
http://www.geniusdv.com/news_and_tutorials/2013/09...
Learn how to integrate 3D models directly into Adobe Premiere using the built in integration between After Effects and Cinema 4D.
September 13, 2013, 04:25 AM
http://news.creativecow.net/story/872739
4K video monitoring card for Adobe Creative Cloud to be featured at IBC2013
September 13, 2013, 04:25 AM
http://cinescopophilia.com/aja-io-4k-and-ultrahd-c...
AJA Video Systems Io 4K supports 4K and UltraHD devices for capture and output with realtime scaling of 4K and UltraHD to HD.
September 12, 2013, 06:33 PM
http://feedproxy.google.com/~r/industryhappenings/...
This two-day course covers editing and effects in the Avid Media Composer. Class time is divided between demonstration and hands-on-practice. This course is also appropriate for Avid Symphony users. Topics include: Introduction to Effects, Creating Motion Effects, Introduction to Compositing, Nesting Effects, Performance and Rendering, Introduction to Finishing, Creating with Avid Marquee and Review and Approval. This […]
September 12, 2013, 06:33 PM
http://feedproxy.google.com/~r/industryhappenings/...
This three-day hands-on course introduces key interface components, media management, editing essentials, color correction, basic animation techniques, keying and compositing. This course also provides an introduction to ConnectFX/Action: Smoke’s powerful 3D compositing environment. The goal of this course is to enable editors and compositors to quickly learn the essential skills needed to use Smoke in the post-production industry as well as understand the concepts that […]
September 12, 2013, 06:32 PM
http://www.apple.com/finalcutpro/in-action/le-mans...
For the second straight year, French post-production house Xtrem Productions covered the 24 Hours of Le Mans endurance car race using Apple’s Final Cut Pro X video editing software on Thunderbolt-enabled Mac computers. Using footage from multiple trackside and handheld cameras, the company produced driver interviews, race highlights, and features for TV broadcast and theatrical release. “Things are easier to do in Final Cut Pro X, and they’re much faster, which means we can not only do...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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