To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

We Have a Problem, We can't hear the Dialogue

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http://www.washingtonpost.com/lifestyle/style/crit...

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http://www.avidblogs.com/pro-tools-academic-upgrad...

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Composer Hans Zimmer on the Interstellar Score

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http://collider.com/hans-zimmer-interstellar-inter...

In our exclusive interview with Hans Zimmer, he discusses making a sharp break from his past work with Christopher Nolan in their new film Interstellar.

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https://www.aotg.com/composer-interview-albert-chang/

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https://www.aotg.com/composer-interview-johann-johannsson/

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FCG096 – The New Premium Beat (feat. Danny Greer

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http://digitalcinemacafe.com/2014/11/06/fcg096-the...

When you take a good look at the new website that Premium Beat just recently released its pretty obvious that they are very much into supporting the film making community. Besides including powerful new web based features that cater specifically to editors there is the amazingly deep blog content covering all manners of involvement with the production community.

Here are three new SFX libraries – designed to m

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http://www.asoundeffect.com/here-are-three-new-sfx...

Saro Sahihi over at SoundBits launched three new impact sound libraries yesterday. Just Impacts – Simple, Processed and Designed. He’s also done a behind the scenes video, showing some of the smashing fun he and his teammates had creating the sounds for the library, and I decided to ask him a few follow-up questions too. But first, the video:

Editing the Sound of Life of Pi

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https://www.youtube.com/watch?v=80vw-AJhEYo

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Inside the Media Approval Process

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https://www.aotg.com/inside-the-media-approval-process/

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https://www.aotg.com/understanding-your-room-frequency-response-measure/

In today's video I want to talk about your room frequency response measurement data and how to understand it. The room frequency response is the room’s...

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