To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
How Collaborative Editing Makes Creatives More Cre
October 26, 2017, 04:38 AM
http://www.studiodaily.com/partners/collaborative-...
When it comes to the evolution of collaborative editing, Simon Haywood, Dell EMC Solutions Architect, Media and Entertainment, takes the long view. Haywood put in time as a satellite engineer for the BBC before joining Isilon, and he remembers when editing was an intuitive, linear process that resulted in a videotape that you could hold […] The post How Collaborative Editing Makes Creatives More Creative appeared first on Studio Daily.
Getting stuck in a screening like
October 26, 2017, 04:38 AM
http://renderplease.com/post/166783083305
The A-List — Josh Earl, ACE (Deadliest Catch) an
October 25, 2017, 12:34 PM
https://www.aotg.com/the-a-list-josh-earl-ace-deadliest-catch-an-2/
Josh Earl is known for his work on Deadliest Catch (2005), American Heiress (2007) and Jay and Silent Bob's Super Groovy Cartoon Movie (2013). Winner of the Emmy Award for Outstanding Picture Editing for an Unstructured Reality Program for Deadliest Catch (2005) form 2011-2015. Was nominated for four other Emmy Awards.
Digital Production Buzz – October 26, 2017
October 25, 2017, 09:50 AM
http://www.digitalproductionbuzz.com/2017/10/digit...
Tonight we talk about commercials. How do we get the word across in just 30 seconds and how to avoid clichés. Join host Larry Jordan as he talks with Mark Jackson, Craig Ratcliffe, Cirina Catania, Jon Schellenger, and James DeRuvo. … The post Digital Production Buzz – October 26, 2017 appeared first on Digital Production BuZZ.
Editor Dylan Tichenor, ACE on Challenging the Audi
October 25, 2017, 04:10 AM
https://www.aotg.com/editor-dylan-tichenor-ace-on-challenging-the-audi/
Dylan Tichenor, ACE, began working on films as an assistant to Geraldine Peroni (an American film editor) in the 1990’s. When Peroni passed away in 2004, Tichenor stepped to finish her work on Ang Lee’s "Brokeback Mountain." Tichenor was first credited with Paul Thomas Anderson's "Boogie Nights," for whic...
We Are Publishing the First Videos From FCPX World
October 25, 2017, 04:09 AM
http://www.fcp.co/final-cut-pro/2010-we-are-publis...
FCPX World at IBC 2017 was a great experience. For the third year in a row, the Spaces building next to the Amsterdam RAI was the epicenter of everything related to Final Cut Pro X at IBC. The Club Room at Spaces was converted to a pop-up television studio where high-profile professionals from all over Europe and the USA came to showcase their work with FCP X.
Adobe's New Video Editing Tool Looks Incredible
October 25, 2017, 04:08 AM
http://digg.com/2017/adobe-project-cloak
In the near future, it's going to be basically impossible to believe what you see, when anyone can easily do things like removing people from a video clip.
Up Your Editing Game with These Random Premiere Pr
October 25, 2017, 04:07 AM
http://nofilmschool.com/2017/10/your-editing-game-...
One thing you should always be on the lookout for as an editor is a good tool that allows you to not only work faster, but produce better content, and luckily professional NLEs give you plenty of options in that department. In this video, filmmaker Austin Newman shows you five ways to up your game in Premiere Pro, from speeding up your workflow with shortcuts to adding a little flavor to your text animations.
Courtney Ryan Law joins editing house BlueRock as
October 24, 2017, 12:15 PM
http://postperspective.com/courtney-ryan-law-joins...
BlueRock, a NYC-based creative editing company, has added executive producer/managing director Courtney Ryan Law to its staff. During her career, Law has worked directly with multiple Fortune 500 companies, including Victoria’s Secret, PepsiCo, DSW, Conair Corp. and Johnson & Johnson. She has also worked on the Victoria’s Secret Fashion Show in Paris, Continue reading → October 24, 2017 The post Courtney Ryan Law joins editing house BlueRock as EP/MD appeared first on Randi Altman's...
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