It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 28, 2010, 02:51 PM
http://splicehere.org/2010/09/28/improving-the-loo...
Avid’s venerable Title Tool has come in for a lot of criticism over the years, but despite its limitations, it’s often the best way to get a simple titling job done, and it has many hidden features that many people don’t seem to know about. Here are a couple of my favorites
September 28, 2010, 10:51 AM
http://bourkepr.typepad.com/my_weblog/2010/09/irid...
2D to 3D has received a lot of bad press lately. But with the industry plowing forward with a slew of new 3D productions, I think it's time we look at the bigger picture, and how 2D to 3D conversion technology will play a bigger role than many may think.
September 28, 2010, 09:02 AM
http://www.philiphodgetts.com/2010/09/what-should-...
Writing applications is in some ways similar to building a house. There’s usually an initial plan, often with stages to be added in future releases planned from the start. (I once asked a Digital Production BuZZ guest, around the time of FCP 4.5, if everything from their original wish list was in Final Cut Pro: response, nowhere near all!) However, over time, additions get added on; another "room" here, another one there.
September 27, 2010, 05:01 PM
http://www.cgw.com/Publications/CGW/2010/Volume-33...
In April, Adobe updated its Creative Suite 5 (CS5). Every Creative Suite update is a massive undertaking for Adobe, because every one of its core products gets updated—from the venerable Photoshop to Web design software such as Dreamweaver and Flash, to graphic design products such as Illustrator and InDesign, to video products such as After Effects and Premiere Pro. This creates a lot of new features in a lot of different packages, so this review will focus on Photoshop, After Effects...
September 27, 2010, 04:54 PM
http://www.studiodaily.com/blog/?p=4297
Well here’s something I wasn’t aware of: Adobe’s online review and approval portal CS Review supports your editing sequences for review and approval right out of Premiere Pro CS5, via the CS Live button. This video popped up the other day and is a quick rundown on exactly how the process works. Basically it’s a way to encode, upload, have people view and comment and then get those review comments downloaded right into Premiere Pro CS5....
September 27, 2010, 11:04 AM
http://provideocoalition.com/index.php/atepper/sto...
September 26, 2010, 11:51 AM
http://splicehere.org/2010/09/25/avid-agility-at-a...
For those of you curious to get a look at the merchandise, I've uploaded some sample pages from Avid Agility. To make the files small, image quality is somewhat degraded, but I think you'll get the idea. You can purchase the book from the publisher, CreateSpace, and now from Amazon, as well. (Amazon's "look inside" feature will be live in a couple of days.)
September 24, 2010, 03:02 PM
http://www.artoftheguillotine.com/assocvideo.php
Australian Screen Editors presents "Demystifying Codecs", a seminar on video codecs by Chris Reynolds. This is part 2 of 12. Topics covered in this part include: Quicktime, AVI, Gamma, Prores, DNxHD, Uncompressed, P2, XDCAM EX, RED. Chris Reynolds is an editor at ActiveMotion. This event was held on 13 May 2009.
September 24, 2010, 02:38 PM
http://digitalcontentproducer.com/videoedsys/revfe...
It would seem that Liz Bronstein never sleeps. As executive producer of Animal Planet's Whale Wars, Bronstein oversees the creation of the dramatic documentary series, which is set in the remote Southern Ocean off the coast of Antarctica. It is there that the small fleet of the Sea Shepherd Conservation Society, an anti-whaling activist group, actively attempts to thwart the efforts of Japanese whaling vessels. Violent storms, equipment breakdowns, and fierce clashes between boats are the norm.
September 24, 2010, 01:15 PM
https://www.aotg.com/demo-of-assisted-editings-finisher-software/
Give Finisher a "radio cut" (audio from interviews) and it will "Finish" the edit with lower thirds from a Motion Template, b-roll and opening title in just seconds.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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