It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 23, 2017, 03:34 PM
https://digitalfilms.wordpress.com/2017/09/23/a-li...
When I started video editing, the norm was an edit suite with three large quadraplex (2”) videotape recorders, video switcher, audio mixer, B&W graphics camera(s) for titles, and a computer-assisted, timecode-based edit controller. This was generally considered an “online edit suite”, but in many markets, this was both “offline” (creative cutting) and “online” (finishing). Not […]
September 23, 2017, 08:37 AM
https://www.aotg.com/ibc-2017-avids-matt-feury/
Avid was at IBC with Media Composer|First, a free version of the NLE. The non-free version of Media Composer now has new hardware - the new Avid Artist DMxIV. Also at the show was Nexis Pro for small production teams.
September 23, 2017, 08:37 AM
https://www.aotg.com/ibc-2017-ajas-bryce-button/
Along with many product updates AJA introduced its first Thunderbolt 3 product, the Io 4K Plus, at the show. AJA also partnered with Avid on the Avid Artist DNxIV.
September 23, 2017, 08:36 AM
https://www.aotg.com/ibc-2017-adobes-bill-roberts/
Just prior to IBC, Adobe announced that its cloud collaboration tool Team Projects is now in V.1.0 within Premiere Pro. In terms of VR, there is GPU-accelerated effects and transitions within Premiere, including the ability to have immersive interaction within the headset. Plus updates to the entire Creative Cloud.
September 23, 2017, 08:36 AM
https://www.provideocoalition.com/art-cut-eddie-ha...
This is Art of the Cut’s second interview with Eddie Hamilton, ACE. The first one was about Mission: Impossible – Rogue Nation. Hamilton’s other previous work includes co-editing Kick-Ass with Oscar-winner, Pietro Scalia, ACE, and editing X-Men: First Class among many others.
September 22, 2017, 04:20 PM
http://www.digitalproductionbuzz.com/2017/09/trans...
HOST Larry Jordan GUESTS Terry Hope, Editor, Pro Moviemaker Magazine, Bright Publishing Laura Williams-Argilla, Director of Project Management for Creative Cloud Video, Adobe Bryce Button, Director, Product Marketing, AJA Video Systems Thomas Burns, CTO Media and Entertainment, Dell EMC Dan May, President, Blackmagic Design, Inc.… The post Transcript: Digital Production Buzz – September 21, 2017 appeared first on Digital Production BuZZ.
September 22, 2017, 04:20 PM
http://renderplease.com/post/165620122905
I’m like:
September 21, 2017, 05:29 PM
https://roosterpost.wordpress.com/2017/09/21/edito...
Once you’ve seen a Maverick Trail you can’t help but want to drive one. Editor Paul Proulx showcases the fun off-road vehicle with a cut that runs the gamut from point A to Z with lots of beautiful visuals in between, courtesy of Holiday Films director Ryan Gibb. “Meet You Out There” is Anomaly’s creative vision for […]
September 21, 2017, 05:29 PM
http://renderplease.com/post/165585305555
I’m like:
September 21, 2017, 02:39 PM
https://jonnyelwyn.co.uk/film-and-video-editing/re...
I've updated a few posts with some really great resources that are worth a second look, if you're interested in: - The Making of Blade Runner 2049 - Free Training, Tools and Sound Effects for Editing Trailers - 6K Edit Suites for Premiere Pro Feature Film Workflows - Top 10 Most Popular Posts of 2017 (so far)
#premiere pro#post production workflows
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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