It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 2, 2014, 01:28 PM
https://www.aotg.com/3-acoustical-technologies-you-must-have-in-your-st/
In today's video I want to discuss the 3 Acoustical Technologies you must have in your studio. As always let's start with the basics. There's only 3 things that can happen to sound. It can be absorbed, diffused or reflected. That's it, that's what the laws of physics dictate.
July 2, 2014, 10:26 AM
http://www.hypebot.com/hypebot/2014/07/soundexchan...
Digital music performing rights organization SoundExchange has launched SoundExchange Direct, an online account management tool created to help artists and labels navigate their digital performance royalties. SoundExchange Direct features include:
July 1, 2014, 01:44 PM
http://www.hollywoodreporter.com/behind-screen/tra...
The sound editing team of Erik Aadahl and Ethan van der Ryn had their work cut out for them on Michael Bay’s Transformers: Age of Extinction with new characters including Dinobots, Protos and the bounty hunter Lockdown.
July 1, 2014, 10:37 AM
https://www.aotg.com/using-ae400-on-solo-violin/
Julian demonstrates using active EQ to control problem frequencies without damaging the signal through over-processing.
July 1, 2014, 10:37 AM
http://designingsound.org/2014/07/critical-listeni...
A number of years ago I took part in a critical listening exercise where participants where given a piece of music and 3 hours to provide a critical assessment of it.
July 1, 2014, 04:43 AM
https://www.aotg.com/the-sound-of-transformers-age-of-extinction/
The amazing visual effects in this film are complemented by the talented efforts of the sound team including Re-recording Mixer Greg Russell, Re-recording Mixer Jeff Haboush, Re-recording Mixer Scott Millan and Supervising Sound Editor and Sound Designer Erik Aadahl and Sound Designer John Marquis.
July 1, 2014, 04:43 AM
http://nofilmschool.com/2014/07/one-dollar-lavalie...
When it comes to sound gear (like many things), you tend to get what you pay for. Quality microphones and recorders tend to be a little more costly, though there is certainly a price/cost ratio the higher you go. It’s usually a pretty good decision to pick something that the pros use, but how much quality can you get away with on the low-end? DJ Clark with the World Press Photo Academy compared a number of microphone solutions, including lavs, and even compared a $1 mic from China to the profe...
June 30, 2014, 04:25 PM
http://joyoffilmediting.com/index.php/archives/536...
Anything you can embed sound in you can scratch, crease, crumple, bend, break, tear, warp, or melt. Alec Wilkinson, “A Voice from the Past” New Yorker May 19, 2014 What do Mickey Hart (drummer for the Grateful Dead), a physicist name Carl Haber, and antiquated recordings of sound have in common? On March 24, 2012 [...]
June 30, 2014, 09:26 AM
http://designingsound.org/2014/06/interview-with-p...
I’ve previously talked about the importance of increasing communication between the sound community and our collaborators. This month’s topic provided the perfect opportunity to bring an outside voice to the Designing Sound community. Patrick Shen is director of the documentary “In Pursuit of Silence,” and I’m happy to be able to bring you his thoughts on the subject!
June 30, 2014, 04:29 AM
http://www.asoundeffect.com/creating-the-haunting-...
One of the television shows I’ve really enjoyed recently has been Penny Dreadful, a critically-acclaimed horror series from Showtime. It stars Josh Hartnett, Timothy Dalton and Eva Green, draws nearly 5 million viewers across all platforms every week – and the sound is brilliant.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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