It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 29, 2022, 08:40 AM
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Kate Xagoraris shows how you can guide and emit RBD sims in Houdini, making a character fall apart. This new Side FX Houdini tutorial from Kate Xagoraris uncovers how you can create a walking character
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https://www.provideocoalition.com/is-sonys-ci-the-...
As a single cloud-native platform designed to eliminate redundancies and streamline media workflows, Ci® would seem to be the solution to the problems that multiple teams face when working in the remote environments that now define the media and entertainment landscape. Ci (pronounced “see”) workflows enable users to collaborate in a more effective manner or [...]Read More... from Is Sony’s Ci the Right Choice for Your Cloud Workflow or Production Collaboration?
March 29, 2022, 08:39 AM
https://www.allanmckay.com/344/
March 28, 2022, 09:03 AM
https://digitalfilms.wordpress.com/2022/03/27/anal...
Clickety, clackety, click. Prior to the advent of Microsoft Powerpoint, large-scale corporate presentations often involved elaborate multimedia productions. Support for keynote addresses, trade shows, and board of directors meetings took the form of audio-visual productions using multiple, synchronized 35mm slide projectors as the playback system. In the 1970s and even 1980s, if you wanted to […]
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https://www.premiumbeat.com/blog/pro-tip-exporting...
Now that your edit is complete and ready for delivery, there's one step left. Exporting a finished video with Premiere Pro.
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In the Final Cut Pro ecosystem, Motion is the app that lets you create custom titles, effects, generators and transitions, and then use them live on your timeline in FCP. On the Adobe side of things, MOGRTs have only copied this feature in the last couple of years, and that’s truly surprising, given how much [...]Read More... from Apple Motion — every editor’s secret weapon
March 25, 2022, 08:35 AM
https://lesterbanks.com/2022/03/how-to-make-zbrush...
Nexttut shows how to get displacements out of ZBrush and into Arnold in Maya. This new tutorial from the folks at NextTut shows how you can use Zbrush’s multimap exporter to create the displacement maps you can
March 25, 2022, 08:35 AM
https://lesterbanks.com/2022/03/how-to-rig-a-leaf-...
Expresso Mechanic TV shows how to build and rig a leaf spring suspension system. This new multi-tech tutorial from the Expresso Mechanic shows how you can build, rig, and animate a leaf spring suspension system in Cinema
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March 25, 2022, 08:33 AM
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Netflix has released this new featurette about the visual effects work on The Adam Project (made by Scanline VFX, DNEG, Lola Visual Effects, Supervixen) explained by VFX Supervisor Alessandro Ongaro, the crew and the cast...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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