It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 30, 2015, 10:38 AM
https://www.aotg.com/muse-vfx-uses-fusion-studio/
Blackmagic Design today announced that LA based Muse VFX uses Fusion Studio for their VFX work on “From Dusk Till Dawn: The Series,” the hit television show from El Rey Network and Miramax®.
#vfx#visual effects#post production#fusion studioOctober 29, 2015, 06:43 PM
http://www.videoguys.com/blog/news-and-sales/avid-...
Avid ISIS shared storage is the standard for the media and entertainment industry and now, with the new Avid ISIS | 1000, it is now affordable for small workgroups! The Avid ISIS | 1000 includes 10 2TB SSD drives for 20TB of shared storage and fits perfectly into every workflow including Avid Media Composer, Apple Read More The post Avid ISIS | 1000 for Adobe Premiere Pro appeared first on Videoguys Blog.
October 29, 2015, 06:42 PM
http://motionworks.net/motion-design-101/
Mograph Mentor founder Michael Jones has announced Motion Design 101 – a new course designed to teach foundation motion design skills. Michael kindly gave us some insight into the course and why he created it.
October 29, 2015, 11:28 AM
http://www.artofvfx.com/the-new-adventures-aladdin...
Digital District have released this VFX breakdown about their work on THE NEW ADVENTURES OF ALADDIN...
October 29, 2015, 11:27 AM
https://www.aotg.com/vfx-studio-makes-motion-control-and-cgi-look-easy/
Patrik discusses Stiller Studios methods for creating amazing VFX and CGI...
October 29, 2015, 11:27 AM
Nice reel by Tippett Studio showing the various Monsters created for AFTER EARTH, CLOVERFIELD, CONSTANTINE, STARSHIP TROOPERS and more...
October 29, 2015, 04:38 AM
http://www.animationmagazine.net/people/ilm-london...
Industrial Light & Magic has added BAFTA-winning visual effects supervisor David Vickery to its expanding London studio.
October 29, 2015, 04:37 AM
https://www.aotg.com/best-of-true-blood-vfx/
From gushing facial wounds, flying decapitated heads, massive explosions, fiery slow motion attacks, gruesome disintegrating bodies, and of course—an infinite bounty of blood in every fashion imaginable. Coming on board for the pilot and continuing through the series’ finale in 2014, the Zoic team delivered a scintillating supply of ghastly effects that will leave their mark long after the last vampire bite.
October 28, 2015, 03:48 PM
http://www.watchindie.net/2015/10/28/is-cgi-gettin...
It seems like “good” CGI, or at least audiences perceptions of good CGI, is in decline over the past few years. Sure, you have amazing anomalies like Gravity or Interstellar, but on a whole, CGI quality is trending downward. Is CGI getting worse? Or are audiences harder to please? Let’s take a closer look at the state of VFX industry in the following post.
October 28, 2015, 10:00 AM
http://www.thecredits.org/2015/10/how-the-martians...
As The Martian continues its impressive box office run and enjoys some early Oscar buzz, The Credits talks to Richard Stammers, the film’s visual effects supervisor and a frequent collaborator with Ridley Scott, about the dual challenge of recreating the Mars landscape and simulating a convincing zero gravity environment without anyone having to get in a “vomit comet”.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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