To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
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http://directedbychuckjones.tumblr.com/post/182226...
Original concept drawing for a proposed limited edition, graphite on 12 field animation paper, by Chuck Jones, circa late 1980s.
6 Filmmaking Tips from Sergei Eisenstein
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https://filmschoolrejects.com/filmmaking-tips-from...
Along with the likes of D. W. Griffith and Yasujirō Ozu, Soviet filmmaker and theorist Sergei Eisenstein was one of the most influential directors of cinema’s formative years. Often deemed the “Father of Montage,” Eisenstein’s filmography includes such influential works as Battleship Potemkin (1925), October: Ten Days That Shook the World (1928), and Alexander Nevsky (1938).
Blackmagic Design Used for Steve Vai Music Video
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https://www.aotg.com/blackmagic-design-used-for-steve-vai-music-video/
Blackmagic Design announced today that guitarist Steve Vai’s new music video for his latest single, “Dark Matter,” was completed utilizing a full Blackmagic Design pipeline, including editorial, visual effects and finishing in DaVinci Resolve 15. The video was also shot using Blackmagic Design URSA Mini Pro.
#blackmagic design#davinci resolve#ursa mini proAvid Presents: Meet the Editors - First Man
January 22, 2019, 05:25 AM
https://www.youtube.com/watch?v=H4EjPGGRPC0
Editor Tom Cross, ACE, talks about cutting First Man, the tightly-packed, compelling story of Neil Armstrong and the Apollo 11 moon landing, with Media Composer. VISIT https://www.avid.com/mediacomposer Follow Avid Media Composer: Facebook: https://facebook.com/avidmediacomposer Instagram: https://instagram.com/avid.mediacomposer Twitter: https://twitter.com/mediacomposer LinkedIn: https://www.linkedin.com/company/avid-technology/ Snapchat: https://www.snapchat.com/add/avidtechnology
Girl in Spider's Web VFX Breakdown
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https://www.artofvfx.com/the-girl-in-the-spiders-w...
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Andrew Stark - Sound Supervisor Interview
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https://www.aotg.com/andrew-stark-sound-supervisor-interview/
In this episode we talk with Andrew Stirk about the sound work he did as the Sound Supervisor and re-recording engineer, on the recent film "A Private War". We discuss the films gritty, almost documentary-like approach to sound and the times when they threw the realism out the window to create impactful moments in the story.
Da Vinci Resolve 15 Crash Course
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https://www.premiumbeat.com/blog/davinci-resolve-1...
Welcome to part four of the PremiumBeat Resolve Editing crash course. In this episode, we look at audio features on the edit page.
FilmLA Reports 2018 as the Second Strongest Year f
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http://www.btlnews.com/crafts/filmla-reports-2018-...
FilmLA, a non-profit organization and the official film office of the city and county of Los Angeles that works to streamline and enhance on-location filmmaking process for communities and content creators, has reported the year 2018 as the second strongest year for on-location filming in Greater Los Angeles. According to the report released on January […] The post FilmLA Reports 2018 as the Second Strongest Year for On-Location Filming in L.A. appeared first on Below the Line.
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