It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 15, 2013, 12:38 PM
http://alex4d.wordpress.com/2013/03/15/free-final-...
Last year I made a set of generators that could be used on video clips to get more precise control over speed changes using an animation graph similar to that available in older versions of Final Cut Pro. Since the 10.0.6 update to Final Cut Pro, the generators I uploaded in March 2012 no longer...
March 15, 2013, 12:36 PM
http://www.reellifetelevision.com/1/post/2013/03/a...
Many many times I find myself browsing the forums and blogs of the internets trying to find a simple, no crazyness explanation of some kind of workflow for this or that. It seems like people just don't take the time to post a super-simple no-nonsense guide to doing something. It's frustrating! So, as a service to humanity, I'm going to be that guy. I might even do a couple posts... hmm...
March 15, 2013, 10:24 AM
https://www.aotg.com/adorama-rolls-out-flashpoint-zerograv-stabilizer/
Adorama, one of the world’s largest photography, imaging, video and electronics retailers, and a leading destination for iPhone photo specialty accessories, is now selling the brand new Flashpoint ZeroGrav Camera Stabilizer at an MSRP of 300 USD.
#workflow#video#dslr#flashpoint#adorama#camera stabilizerMarch 15, 2013, 10:10 AM
http://www.trackmattemoment.com/?p=64
You always watch all your stuff for mistakes, right? For YouTube or DVD or...broadcast? Of course you do. Except for that time you didn't. Or in Art Guglielmo's case, almost didn't. In this exciting Track Matte Moment, Art shares his very special almost-whoopsy as he cuts the first thing to air on the brand new...
March 15, 2013, 10:06 AM
http://gorillaproductions.squarespace.com/blog/201...
Simple, Final Cut Pro X will win the editing software War.Okay, like Alec Baldwin in Glen Gary Glenross' character would say "Have I got your Attention..."
March 15, 2013, 10:02 AM
http://feedproxy.google.com/~r/norendercom/~3/7zzL...
Hoy presentamos la sexta entrega de la guía norender.com sobre el mundo de las expresiones ...
March 15, 2013, 10:02 AM
http://provideocoalition.com/mspencer/story/come-l...
So what's the deal with Final Cut Pro X now that it's been out for almost 2 years? Can you actually use it for "professional" editing? Is it really just "iMovie Pro"? Why do some people seem to love it and others seem to hate it?
March 15, 2013, 09:57 AM
http://www.4rfv.co.uk/industrynews.asp?id=160003
At NAB 2013, Calrec will showcase Hydra2's ability to interact with third-party control and production automation equipment. To give broadcasters a sense of Hydra2's potential as a networking solution, Calrec will exhibit its equipment in a scenario akin to how it would be used in an actual production environment.
March 15, 2013, 09:56 AM
http://sportsvideo.org/main/blog/2013/03/15/nab-20...
At NAB 2013, on booth SU8505, AmberFin, a leading developer of file-based media ingest, transcoding and quality control solutions for content owners, broadcasters, sports organizations, and postproduction houses, will demonstrate new enhancements to its iCR software designed to further facilitate the digitization and transformation of new and archived content in modern file-based workflows.
March 15, 2013, 09:56 AM
http://www.studiodaily.com/2013/03/review-red-gian...
If you follow post-production news at all, then you’re probably aware of (and may have even tried out) Red Giant's PluralEyes 3. Automatically syncing multiple cameras and audio tracks, it might be one of the single most useful technologies to ever come along in post-production. The product saw a big upgrade with version 3.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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