It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 20, 2022, 08:48 AM
https://lappg.com/2022/01/18/january-2022-photos/
We had the great fortune to start the year off with an excellent presentation from composer, author, educator Edgar Rothermich on Dolby Atmos – What You Need to Know. He was able to give us a Dolby Atmos overview, why it is a technology that can’t be ignored, and topics like formats, playback options, object … January 2022 Photos Read More »
January 20, 2022, 08:48 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LOS ANGELES — SMPTE Hollywood and the Visual Effects Society (VES) will cohost a virtual meeting exploring the current and future impact of machine learning on visual effects. Autodesk’s Will Harris, Foundry’s Mathieu Mazerolle and Unity Technologies’ Brian Gaffney will discuss how their companies are incorporating machine learning into software tools to make higher quality and more realistic visual effects and boost production speed. Visual effects supervisor Ryan Laney will describe th...
January 20, 2022, 08:44 AM
https://www.shootonline.com/spw/american-cinema-ed...
American Cinema Editors (ACE) announced today that the organization will present the Sundance Institute with its highest honor, the ACE Golden Eddie Award, at the 72nd Annual ACE Eddie Awards ceremony at the ACE Hotel in Downtown Los Angeles on March 5. The ACE Golden Eddie Award traditionally recognizes a filmmaker who exemplifies distinguished achievement in the art and business of film but ACE broke tradition for the first time in its history this year by recognizing a film organization. “T...
January 19, 2022, 08:54 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
NEW YORK CITY — Harbor (https://harborpicturecompany.com) has added talent to its picture-post roster with the recent addition of senior colorist Anthony Raffaele, dailies colorist Elizabeth Hickey and senior colorist Julien Alary.
January 19, 2022, 08:54 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LOS ANGELES — The Visual Effects Society (VES) has announced the nominees for its 20th Annual VES Awards. The yearly celebration recognizes outstanding visual effects artistry and innovation in film, animation, television, commercials and video games, as well as the VFX supervisors, VFX producers and hands-on artists who bring this work to life.
January 19, 2022, 08:54 AM
https://www.indiewire.com/2022/01/the-conversation...
“The Godfather” of modern sound design Walter Murch looks back at the first film he edited for Coppola and his groundbreaking sound work.
January 19, 2022, 08:53 AM
https://lesterbanks.com/2022/01/fast-houdini-disin...
Liam Clisham shows how you can get motion graphics like PolyFX disintegration effect with Houdini. This new tutorial from Five31 Liam Clisham shows how easy it is to get a mograph style disintegration effect, like the kind
January 19, 2022, 08:53 AM
https://postperspective.com/editing-netflixs-the-l...
By Randi Altman Maggie Gyllenhaal’s feature film directorial debut, The Lost Daughter, takes viewers on a journey that bridges the present and the past. Set in a European beach town, Olivia Colman plays a middle-aged professor on vacation who becomes obsessed with a group of Americans — in particular, a young mother (Dakota Johnson) and her daughter. Continue reading → January 18, 2022 The post Editing Netflix’s The Lost Daughter: Affonso Gonçalves appeared first on postPerspecti...
January 19, 2022, 08:52 AM
https://www.slashfilm.com/737021/the-morning-watch...
In this edition, see how the storyboards for Pixar's existential comedy "Soul" compare to the final cut of the animated movie. Plus, take a look at the action from the fourth season of "Cobra Kai" with a peek behind the scenes of production. And finally, watch as Andrew Garfield and Dakota Johnson reunite 11 years after both appearing in David Fincher's "The Social Network."
January 19, 2022, 08:52 AM
https://www.artofvfx.com/20th-annual-ves-awards-th...
The Visual Effects Society has announced yesterday the nominations for the 20th Annual VES Awards!
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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