It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 28, 2018, 01:25 PM
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Chipp Walters Offers a Free Course Showing How to Get the Perfect Photo and Camera Match With fSpy and Blender. Once upon a time, there was a Blender Addon called Blam. The tool allowed you
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Helge Maus Offers an Introduction to Working With Cryptomattes in After Effects, Thanks to ProEXR 2. PixelTrain’s Helge Maus continues his dive into working with the new ProEXR 2 in After Effects. (Have a look
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https://lesterbanks.com/2018/11/viewport-performan...
Glenn Frey Has 2 Tips to Gain Viewport Performance While Working With Volumes in Cinema 4D. There is no doubt that one of the best features in Cinema 4D R20 is all the volume stuff.
November 24, 2018, 02:15 PM
https://lesterbanks.com/2018/11/c4d-correction-def...
Ace5 Studios Shows How to Sculpt Rig Issues Using C4D’s Correction Deformer. A lot goes into creating character rigs for animation. There are some standard rig features that animators will expect, but it’s nearly impossible
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https://lesterbanks.com/2018/11/getting-started-wi...
Ben Brownlee Covers the Basics of Planar Tracking to Create a Screen Replacement in Ae or Premiere. Boris FX’s new Mocha Pro 2019 offers more features for tracking and rotoscoping workflows and faster experience, offloading
November 22, 2018, 10:30 AM
https://lesterbanks.com/2018/11/plexus-effect-x-pa...
Equiloud Works With X-Particles Replicators to Create a Plexus Effect in C4D. Uwe Schweer-Lambers walks through working with X-Particles in Cinema 4D to recreate the Plexus effect. A subject in making branches and seemingly random
November 21, 2018, 10:24 AM
https://lesterbanks.com/2018/11/car-rigging-basics...
Simon Mills Guides Us Through Car Rigging Basics, Getting Autos Ready for Animation. Are you creating an animation of a car? Autos are one thing that you never want to animate without a rig. There
November 19, 2018, 01:44 PM
https://lesterbanks.com/2018/11/chipped-paint-c4d-...
Reza Ansari Shows How Using Tools4D Vector Pro Can Take Chipped PAint to the Next Level. If you have ever done any layered shader workflows, then you probably know that you can use images to
November 17, 2018, 01:24 PM
https://lesterbanks.com/2018/11/planetary-atmosphe...
Shawn Astrom Shows How to Create a Rayleigh Scattering Effect to Create That Planetary Atmosphere Glow. Creating a realistic planet complete with atmosphere changes from renderer to renderer. If you are wondering how to create
November 17, 2018, 07:26 AM
https://www.cartoonbrew.com/feature-film/the-art-o...
Illumination Entertainment’s The Grinch is everywhere: it’s been the highest-grossing film in the United States for the past week and it has dozens of corporate promotional partners spreading it to every corner of the consumer marketplace. Considering its visibility, it’s a little surprising then that there’s such a lack of behind-the-scenes content about the making of the film or exposure for the artists who created it.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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