To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Motion Tracking, After Effects, and CINEMA 4D Lite

September 30, 2015, 04:15 PM

http://www.provideocoalition.com/motion-tracking-a...

After Effects features a 3D Camera Tracker that examines already-shot footage and attempts to reverse-engineer where the camera was during the shot, creating a 3D camera to match. This allows you to add new objects in 3D space that match the movement and perspective of the underlying footage. 

Deadline 7.2 Released

September 30, 2015, 12:18 PM

http://www.thinkboxsoftware.com/news/2015/9/30/dea...

Thinkbox Software is proud to announce the release of Deadline 7.2! Deadline 7.2 is the latest version of Thinkbox Software's scalable high-volume compute management solution, and includes many helpful new features and bug fixes. New features include new Quick Draft options to create movies from rendered images or perform file conversions without having to create template scripts. Integration with NIM Labs’ NIM pipeline management tool enables the creation of NIM renders, and automates...

Cadbury Vfx Breakdown

September 30, 2015, 12:16 PM

http://www.cgmeetup.net/home/cadbury-vfx-breakdown...

James Mac – For this project I was Visual Effects Supervisor, Lead Inferno and Nuke Artist.

PAWN SACRIFICE: VFX Breakdown by MELS

September 29, 2015, 04:45 PM

http://www.artofvfx.com/pawn-sacrifice-vfx-breakdo...

Nice VFX Breakdown by MELS about their invisible work on PAWN SACRIFICE...

5 Secret Tips For Getting Hollywood-Level Chroma K

September 29, 2015, 01:36 PM

https://www.aotg.com/5-secret-tips-for-getting-hollywood-level-chroma-k/

Matthew Rosen explains 5 of his tricks and secrets on shooting and compositing chroma keys.

Finish provides VFX for 'The Keeping Room'

September 29, 2015, 09:25 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LONDON — Finish (www.finish.tv) recently completed work on more than 90 VFX shots featured in director Daniel Barber’s new film The Keeping Room. The studio also created the title sequence for the western thriller, which takes place towards the end of the American Civil War.

Best VFX?

September 29, 2015, 04:48 AM

http://animationguildblog.blogspot.ca/2015/09/best...

Sweet Mother of Danny Devito. It's freaking September and they're already handicapping the race for a Little Gold Man.

After Effects Hidden Gems Weekly: Mixing Audio

September 28, 2015, 12:31 PM

http://www.provideocoalition.com/after-effects-hid...

After Effects offers two ways to adjust the volume of an audio layer: the Levels parameter in the Timeline, and the Stereo Mixer effect, which can be added to a layer. Levels works on a logarithmic scale to match the way sound loudness actually works in the real world; Stereo Mixer uses a linear 0-100% (and higher) scale similar to Opacity. Which one should you choose? Both, actually - but use them for different purposes.

Blenderlounge - Tuto - Eclairage Studio

September 26, 2015, 12:40 PM

https://www.aotg.com/blenderlounge-tuto-eclairage-studio/

Dans ce tutoriel nous verrons comment créer un éclairage studio et utiliser des softbox.

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