To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Timecode ships UltraSync One wireless sync units
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First shown at NAB earlier this year, UltraSync One is the latest addition to Timecode Systems‘ range of timecode generators and transceivers. It is now shipping for $299. Measuring 55mmx44mmx17mm, weighing only 39g (0.0859803 lbs.) and with a battery life of more than 25 hours, Continue reading → July 31, 2017 The post Timecode ships UltraSync One wireless sync units appeared first on Randi Altman's postPerspective.
How To Start An Edit
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https://www.aotg.com/how-to-start-an-edit/
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EditShare Shows its Scale-out Storage Platform for
July 29, 2017, 04:51 AM
http://www.btlnews.com/community/editshare-shows-s...
EditShare, a company that specializes in shared storage and media management products, will be showcasing its scale-out XStream EFS shared storage solutions at the upcoming SIGGRAPH 2017 show (July 30-Aug 3) on booth 837. Designed to support the media-intensive VFX, finishing/DI, editorial, audio and virtual reality production workflows, EditShare XStream EFS solutions are used by powerhouse facilities […] The post EditShare Shows its Scale-out Storage Platform for VFX, Finishing/DI, Au...
Atomic Blonde editor Elisabet Ronaldsdottir Interv
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https://www.provideocoalition.com/AOTC-Atomic-Blon...
Elisabet Ronaldsdottir was born and raised in Reykjavik, Iceland and has been editing film at home and across Europe and America since the days of editing on film. Her first credited work as a feature editor was in 1998. Her films include Contraband, The Deep, John Wick, and her latest work with director David Leitch on the film Atomic Blonde. She has won several Edda Awards for Best Editing in Iceland and has been an active member of Iceland’s film industry guilds and academies. Art of the Cu...
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Learn to Edit Fight Scenes in This Atomic Blonde B
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Q&A with Editor Paul Machliss, ACE, on Baby Driver
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http://www.avidblogs.com/qa-editor-paul-machliss-a...
The article Q&A with Editor Paul Machliss, ACE, on Baby Driver by Timory Burleson appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
'Arrival,' 'Dunkirk' and the Distraction of Nonlin
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When people tell me to just turn my brain off and enjoy a movie, I wish that it were so easy. I’ve been trained to overthink films as I watch them. I have two degrees in the study of cinema. I can’t ignore what I know or how I’ve been wired to always analyze images I’m seeing on screen as they’re cut together any more than a mechanic can stare at a puttering motor and pretend not to know how to fix it.
Ready to Start Your Freelancing Career? Here are 5
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Getting your foot in the door and into a production company can be frustrating when you’re just starting out in your career. Even if you’ve got a tremendous amount of talent, many production companies have their pick of experienced candidates, and often won’t consider what you have to offer. Don’t give up though—many producers start out as freelancers, taking on one-off projects until they have the experience to join an established company or create their own business. The “gig e...
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