It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 10, 2019, 05:39 AM
https://deadline.com/2019/01/black-panther-geoffre...
Before the game-changing Black Panther, visual effects supervisor Geoffrey Baumann had worked on a number of Marvel projects, supervising computer graphics and second unit work before earning his current title in this domain. A BAFTA nominee this year, shortlisted by AMPAs as well for Best Visual Effects, Baumann had one mandate from director Ryan Coogler, when it came to his first blockbuster: Above all else, Black Panthershould hold true to Africa.
January 10, 2019, 05:39 AM
http://www.postmagazine.com/Press-Center/Daily-New...
KANSAS CITY, MO — Back in August, 2017, the principals of creative company Cutters Studios announced the opening of a satellite studio in Kansas City. The decision resulted in collaborations for numerous brands, including Dairy Queen, Gatorade, Big O Tires, Frigidaire, Kansas City Ballet, S’well Water Bottles, Tropicana and Wendy’s. The successful exploratory test flight was built around editor/partner Matt Walsh, editor Dustin Kaufman and a handful of others. Now, in early 2019, Cutte...
January 9, 2019, 02:37 PM
https://postperspective.com/review-audionamix-idc-...
By Claudio Santos Sound editing has many different faces. It is part of big- budget blockbuster movies and also an integral part of small hobby podcasting projects. Every project has its own sound needs. Some edit thousands upon thousands of sound effects. Others have to edit hundreds of hours of interviews. What most projects have in common, Continue reading → January 9, 2019 The post Review: Audionamix IDC for cleaning dialogue appeared first on Randi Altman's postPerspective.
January 9, 2019, 02:36 PM
https://lesterbanks.com/2019/01/substance-painter-...
Brent LeBlanc Covers Texturing With Substance Painter and Shading and Rendering With Arnold in Maya. Brent LeBlanc is a Materials Technical Director at Blue Sky Studios. Who best to show off the process for working
January 9, 2019, 02:36 PM
https://postperspective.com/rodeo-fxs-vfx-supe-arn...
By Randi Altman Fantastic Beasts: Crimes of Grindelwald, directed by David Yates and written by J.K. Rowling, is a sequel to 2016’s Fantastic Beasts and Where to Find Them. It follows Newt Scamander (Eddie Redmayne) and a young Albus Dumbledore (Jude Law) as they attempt to take down the dark wizard Gellert Grindelwald (Johnny Depp). Continue reading → January 9, 2019 The post Rodeo VFX supe Arnaud Brisebois on the Fantastic Beasts sequel appeared first on Randi Altman's postPerspective.
January 9, 2019, 02:36 PM
http://www.animationmagazine.net/events/3-animated...
British Academy Film Awards have been announced, with period dramedy The Favourite leading with 12 nominations — including Best Film, Director (Yorgos Lanthimos), Leading Actress (Olivia Colman) and two for Supporting Actress (Rachel Weisz and Emma Stone). Bohemian Rhapsody, First Man, Roma and A Star Is Born each have seven nominations; Vice has six; BlacKkKlansman has five; Cold War and Green Book have four; and Can You Ever Forgive Me?, Mary Poppins Returns Mary Queen of Scots and Stan & Ol...
January 9, 2019, 02:36 PM
https://soundandpicture.com/2019/01/bafta-announce...
BAFTA has announced the nominations for the EE British Academy Film Awards in 2019.
January 9, 2019, 02:35 PM
http://vfxvoice.com/isle-of-dogs-how-every-frame-w...
ISLE OF DOGS Senior Visual Effects Supervisor Tim Ledbury on the range of visual effects work required for Wes Anderson’s stop-motion film.
January 9, 2019, 10:48 AM
https://www.aotg.com/australias-stage-mums-shot-with-ursa-mini-4-6k/
Blackmagic Design today announced that season one of the popular Australian television comedy “Stage Mums” was shot using its URSA Mini 4.6K and Pocket Cinema Camera digital film cameras. The show’s editing, audio editing and color correction were also completed using DaVinci Resolve Studio.
#blackmagic design#davinci resolve studioJanuary 9, 2019, 10:14 AM
https://www.shutterstock.com/blog/10-after-effects...
I could go on and on about this stuff for days (as evidenced by the nearly 25-minute tutorial). When I recorded the first installment of this series, I recorded way too much. The video was on track to be about 40 minutes long, so I had to cut it down. These are some of the leftover tips from that edit session — as well as some new ones.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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