To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Avid Online Learning — Media Composer: Save time

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https://www.youtube.com/watch?v=1Xz4HBClDJE

Join us live for the Avid Online Learning session — Media Composer: Save time with Views and Spotting. Check out our calendar to watch this and more live videos on https://www.avid.com/online-learning ▶️ https://www.avid.com/media-composer Follow Avid Media Composer: https://facebook.com/avidmediacomposer https://instagram.com/avid.mediacomposer https://twitter.com/mediacomposer https://www.linkedin.com/showcase/avid-media-composer https://www.snapchat.com/add/avidtechnolog...

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https://www.provideocoalition.com/aotc-sharp-objec...

Rarely do we get the directors perspective on Art of the Cut, but as we discuss two binge-worthy TV series  – HBO’s Big Little Lies and Sharp Objects – we get to hear from the director, Jean-Marc Vallee (who also edits), and the rest of the editorial team on these two shows: Véronique Barbe, Dominique [...]Read More...

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https://lesterbanks.com/2020/09/tips-for-working-w...

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https://www.artofvfx.com/away-vfx-breakdown-by-dne...

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https://lesterbanks.com/2020/09/quickly-create-an-...

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https://lesterbanks.com/2020/09/working-with-origi...

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https://lesterbanks.com/2020/09/autofill-automatic...

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https://lesterbanks.com/2020/09/how-to-create-styl...

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https://postperspective.com/aja-simplifies-adobe-h...

AJA Kona and Io users can now easily access the new HLG HDR features in the latest version of Adobe Premiere Pro, enabling them to edit and deliver HDR content. Kon and Io customers using AJA Kona 5, Kona 4, Kona IP, Io 4K Plus, Io 4K or Io IP with the AJA Control Panel interface and AJA Control Room software, Continue reading → September 17, 2020 The post AJA Simplifies Adobe HLG HDR workflows for Kona and Io users appeared first on postPerspective.

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