To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
EditShare Gets High Marks at Liverpool School
December 6, 2018, 10:20 AM
https://www.editshare.com/news/pr-liverpool
Liverpool John Moores University expands its media infrastructure; new workflow features EditShare XStream EFS Shared Storage, Flow media asset management, AirFlow for remote access, and QScan automated quality assurance
#editshare#flow#mam#media asset management#editshare flow#qscan#xstream efs shared storage#airflowWelcome to Marwen - Making of Video
December 6, 2018, 10:09 AM
https://www.artofvfx.com/welcome-to-marwen-making-...
Interesting video featuring VFX Supervisor Kevin Baillie and the crew talking about the creation of WELCOME TO MARWEN...
Wyatt Smith on Treading on Films Sacred Ground
December 6, 2018, 06:01 AM
https://www.goldderby.com/article/2018/wyatt-smith...
Film editor Wyatt Smith admits that working on “Mary Poppins Returns” was “a little daunting” and “a little scary to be honest because you’re treading on sacred ground.” The 1964 original is “one of the most beloved, perfect movies ever made that’s stood the test of time over 50 years.” Suffice it to say that the stakes were high for this sequel. Watch our exclusive video interview with Smith above.
Oscar-nominated editor Juliette Welfling
December 6, 2018, 06:01 AM
https://www.provideocoalition.com/aotc-welfling
Juliette Welfling is the winner of five Cesar Awards (France’s “Academy Awards”). She was nominated for an Oscar for editing The Diving Bell and the Butterfly (2007). She was a co-editor with Stephen Mirrione and Christopher Capp on Hunger Games (2012) and was an editor on Ocean’s Eight (2018).
Behind the VFX of Fantastic Beasts
December 5, 2018, 01:09 PM
https://nofilmschool.com/VFX-Breakdown-Fantastic-B...
In a feature on FXguide, we get a pretty insightful look into how one VFX shop was able to bring several character designs, animations and environment builds to life in Fantastic Beasts: The Crimes of Grindelwald.
Check Out This Free IK Puppet Ae Preset by Pierre
December 5, 2018, 11:19 AM
https://lesterbanks.com/2018/12/free-ik-puppet-ae-...
IK Puppet is a Free Shape Layer Preset for After Effects That Gives a Pre-Rigged Animatable Puppet. “I took a lot from the community here, so I try to give something back,” Says Animator Pierre
When I get no reaction after watching a cut
December 5, 2018, 11:19 AM
http://renderplease.tumblr.com/post/180831202055
Interview: Eric Freeman on Fluidity in Re-recordin
December 5, 2018, 11:19 AM
http://designingsound.org/2018/12/05/interview-eri...
This interview was originally conducted for inclusion in our “Fluidity” theme. Some minor delays and life circumstances kept it in the works, but on the back burner for awhile. After much anticipation, here it is… Eric Freeman is a Re-recording Mixer for Disney TV […]
Tutorial - What Frame Rate Should You Use?
December 5, 2018, 11:18 AM
https://www.premiumbeat.com/blog/which-frame-rate-...
I’m not the only shooter who instinctively sets their frame rate to 120 fps when arriving at an epic location. It’s easy. It’s beautiful. It’s . . . lazy?
The Nutcracker VFX Supervisor
December 5, 2018, 11:18 AM
https://www.artofvfx.com/the-nutcracker-and-the-fo...
Max Wood began his career in visual effects in 2003 at MPC. He works on films like WATCHMEN, ROBIN HOOD, WORLD WAR Z and 300: RISE OF AN EMPIRE. As a VFX supervisor, he took care of the effects of films such as SAN ANDREAS, ZOOLANDER 2 and SUICIDE SQUAD.
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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