To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

VR audio terms: Gaze Activation v. Focus

June 7, 2017, 04:58 PM

http://postperspective.com/vr-audio-terms-gaze-act...

By Claudio Santos Virtual reality brings a lot of new terminology to the post process, and we’re all having a hard time agreeing on the meaning of everything. It’s tricky because clients and technicians sometimes have different understandings of the same term, which is a guaranteed recipe for headaches in post. Continue reading → June 7, 2017 The post VR audio terms: Gaze Activation v. Focus appeared first on Randi Altman's postPerspective.

Recent updates - June 2017

June 7, 2017, 02:01 PM

http://www.digitalrebellion.com/blog/posts/recent_...

We've been busy - here are some recent software updates for our products that you may have missed.Kollaborate Transfer 1.5 - May 15 2017 Uploads no longer have to finish before the next file will start encoding. Kollaborate Transfer will now encode files as quickly as possible and put them in a Waiting state until the previous upload finishes. This should result in faster processing of large batches. Accelerated uploading on the cloud (most noticeable for users outside the US) Reduced si...

Hackintosh 101: How to Build a 4K Editing Machine

June 7, 2017, 02:01 PM

http://nofilmschool.com/2017/06/hackintosh-101-beg...

If you’re like me, the data rate of your footage may be multiplying faster than your current computer can handle. Why not build your own upgrade? It worked for me.

ACE in Action – ACE Interns 2017

June 7, 2017, 09:31 AM

https://americancinemaeditors.org/ace-interns-2017...

As motion picture editors we have often been heralded as the authors of the final draft of the screenplay and

Digital Production Buzz- June 8, 2017

June 7, 2017, 04:27 AM

http://www.digitalproductionbuzz.com/2017/06/digit...

Tonight, we focus on live video streaming. We start with the basics, then look at what you need to know, what hardware to use and what to avoid when creating your own streaming service. Plus, in addtion to our weekly DoddleNEWS Update, we also have a report on Apple’s WWDC. … The post Digital Production Buzz- June 8, 2017 appeared first on Digital Production BuZZ.

Cuts We Love – Die Hard

June 7, 2017, 04:27 AM

https://americancinemaeditors.org/cuts-we-love-die...

An instant classic of its genre, Die Hard provided a template for how to tell a suspenseful action adventure with

*El silencio de los inocentes*, por Craig McKay (A

June 7, 2017, 04:27 AM

http://saeditores.org/Novedades/El-silencio-de-los...

Puede pensarse que los editores más experimentados, con larga trayectoria en Hollywood, nunca dudan acerca de cómo componer una escena. Sin embargo, no siempre es así y en ocasiones lo fortuito se cuela para traer la solución a la construcción de una secuencia. En esta segunda parte de sus anécdotas acerca de la edición de El silencio de los inocentes (1991, Jonathan Demme), Craig McKay (ACE) describe el camino recorrido en el planteo del montaje paralelo en una secuencia de la pe...

Elin Martinsen

June 6, 2017, 07:20 PM

http://filmklippere.com/wp/2017/06/elin-martinsen/

Elin Martinsen Hvem er du? Ja hvem er jeg? Det hender det jeg lurer på selv også….men jeg heter i alle fall Elin Martinsen og er 39 år gammel (og det er en alder jeg tenker og ha noen år framover). Jeg gikk ut av klippelinjen på filmskolen som kull 3,  og for tiden jobber […]

Baby Driver

June 6, 2017, 12:32 PM

https://americancinemaeditors.org/baby-driver/

Edgar Wright’s bank heist thriller, Baby Driver, from TriStar Pictures tells the story of a talented young getaway driver named

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