To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
PluralEyes: The Best Workflow for Syncing Audio
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http://postperspective.com/review-red-giant-magic-...
By Brady Betzel In Part 1 of my review of Red Giant’s Magic Bullet Suite 13, I went through Magic Bullet Looks 4 as well as Colorista IV. Both are color correction and grading plug-ins that are compatible with Adobe’s After Effects and Premiere Pro and Apple’s Final Cut Pro X and Motion. Continue reading → May 25, 2017 The post Review: Red Giant Magic Bullet Suite 13, Part 2 appeared first on Randi Altman's postPerspective.
Off the Tracks a Final Cut Pro X Documentary
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http://www.videoguys.com/blog/off-tracks-final-cut...
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How to Get the Best Results in Slow Motion in Prem
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http://nofilmschool.com/2017/05/watch-how-get-best...
Today's cameras, even the ones in smartphones, are capable of recording high frame rates at pretty decent resolutions (at least 720p). What does this mean? Slow motion for pretty much everyone! However, a lot of entry level cameras only get as high as 60 fps, which is definitely slow(er) motion than the standard 24 fps and 30 fps, but it certainly doesn't produce that real buttery smooth, honey-like slow mo you typically see in today's videos.
NAB 2017: Promise Technology's Vijay Char
May 24, 2017, 02:21 PM
https://www.youtube.com/watch?v=A-1-0ipLEwk
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Get 10 Times Faster Removals in Mocha
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http://lesterbanks.com/2017/05/get-10-times-faster...
The remove module in mocha is definitely a time saver for creating removals of objects from scenes. Mocha semi-automates that which anyone can do manually within a compositor, but it does it with just a few The Post Get 10 Times Faster Removals in Mocha originally appeared and published on %%BLOGLINK%,by lesterbanks
Imagine Products intros PrimeTranscoder
May 24, 2017, 10:34 AM
http://postperspective.com/imagine-products-primet...
Imagine Products, creator of software utilities for backing up, viewing, sharing, transcoding and archiving video assets, has released PrimeTranscoder, a video transcoding app for Mac users. PrimeTranscoder offers GPU acceleration and a simple interface. PrimeTranscoder is a transcoding application that allows users to convert multiple files to different formats at once. Continue reading → May 24, 2017 The post Imagine Products intros PrimeTranscoder appeared first on Randi Altman's po...
The Tall Blond Man with One Black Shoe (1972)
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http://feedproxy.google.com/~r/artofthetitle_rss/~...
“It's him. The big blond with the black shoe.” — Perrache The Tall Blond Man with One Black Shoe. The film’s title is certain to tug at your cu...
Premiere Pro 11.1.1 update
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http://blogs.adobe.com/creative/premiere-pro-11-1-...
Today we’re releasing an update for Premiere Pro CC 2017. The 11.1.1 update contains two important bug fixes, and is highly recommended for all users. You can install the update through the Creative Cloud desktop application, or you can check for new updates from within any Creative Cloud application by choosing Help > Updates. Please note that it can take 24 hours or more for all of our global data centers to receive the update. If the update isn’t available for you right now, pleas...
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