It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 12, 2022, 08:41 AM
https://filmschoolrejects.com/swiss-army-man-sound...
Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay on Manchester Orchestra’s incredibly surreal soundtrack for Daniels’ 2016 film Swiss Army Man.
January 12, 2022, 08:40 AM
https://www.thewrap.com/dune-editor-joe-walker-bud...
For film editor Joe Walker, one of the oddest parts about making “Dune” came unexpectedly. The film was his fourth with Denis Villeneuve, after “Sicario,” “Arrival” and “Blade Runner 2049,” and he’d spent the first three of those sitting to the left of the director as they edited together. But “Dune” was partly edited during the pandemic, and the two men collaborated from separate locations via video links screens.
January 11, 2022, 08:45 AM
https://postperspective.com/the-den-in-nyc-adds-ed...
Bi-coastal editing house The Den has added editor Tania Mesta to its New York team. Mesta is a story-driven editor known for her narrative work. Born and raised in El Paso, Texas, to Mexican parents, Mesta says the duality that comes from fully embracing both Mexican and American culture has greatly inspired her world view and work. Continue reading → January 10, 2022 The post The Den in NYC Adds Editor Tania Mesta to Team appeared first on postPerspective.
January 11, 2022, 08:45 AM
https://postperspective.com/editing-docuseries-shr...
“Hi I’m Sevy,” an episode from Magnolia Network’s Hi I’m___ docuseries, focuses on Sevy Marie Eicher, a 17-year-old girl with Down syndrome who breaks down barriers and shares her gift of painting with the world. Her natural talent for art has had a widespread impact on inclusivity in the art world, Continue reading → January 10, 2022 The post Editing Docs: Shrader Thomas on ‘Hi I’m Sevy’ Episode appeared first on postPerspective.
January 11, 2022, 08:44 AM
https://www.artofvfx.com/shang-chi-and-the-legend-...
Let’s have a tour inside an endless moving forest and witness some cool fights in this VFX Breakdown showing the work of Scanline VFX on Shang-Chi and the Legend of the Ten Rings...
January 11, 2022, 08:43 AM
https://www.asoundeffect.com/great-new-podcasts-fo...
Bernard Gariépy Strobl, David McCallum & Steve Fanagan join the Tonebenders Podcast to talk about new sci-fi film 'Swan Song' and tell us how they came together as a team when none had ever met before. They also talk about the challenge of designing UI sounds for the near future and the unique schedule for the film's post production.
January 11, 2022, 08:43 AM
https://www.goldderby.com/feature/andrew-weisblum-...
“We don’t waste time,” admits editor Andrew Weisblum about working with Wes Anderson on “The French Dispatch.” For our recent webchat, he continues, “I started out being a little more precious about moments. Wes is willing to cut deeper. I’ve learned it’s not a ruthless thing, it’s just an energy thing that he’s very consistent and strong about.” Watch the exclusive video interview above.
January 10, 2022, 09:58 AM
https://raindance.org/dune-and-the-audio-history-o...
Blackmagic Design released a new and free series of training videos for DaVinci Resolve 17. Divided into four sections – Edit, Color, Fairlight, and Fusion – the training provides more than 17 hours of content. Created with the help of Blackmagic certified DaVinci trainers, the course also provides example projects and media to follow the workflow and practice skills.
January 10, 2022, 09:58 AM
https://beforesandafters.com/2022/01/09/how-vfx-ar...
Behind DNEG’s visual effects for the return to the real world in ‘The Matrix Resurrections’.
January 10, 2022, 09:57 AM
https://montageforum.wordpress.com/2022/01/09/mont...
In „BILDER (M)EINER MUTTER“ erzählt die Regisseurin das tragische Leben und Scheitern ihrer Mutter. Mit über 100 Stunden Super8 – und Videomaterial des Vaters rekonstruiert sie von der jungen Liebe ihrer Eltern in den 70er Jahren, über deren Familiengründung letzendlich den Zerfall der Familie. Im Privaten sowie im Poltitischen reist der Film durch die Jahrzehnte und dokumentiert die innere Zerissenheit einer Frau, deren Suche nach Selbstverwirklichung exemplarisch für das Lebensgefü...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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