It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 3, 2018, 06:41 AM
https://www.provideocoalition.com/art-of-the-cut-w...
There are very few big-time editors who do double duty as legitimate film composers, but in this Art of the Cut, we’ll be talking to one of them: John Ottman, ACE. He performed both of these jobs on The Usual Suspects, X-Men 2, Superman Returns, and Valkyrie.
November 3, 2018, 06:40 AM
http://www.dailyjournal.net/2018/11/03/cg_grads_pi...
Dakota Taylor and Caleb Wallace had a little more than two days to write, shoot, edit and finalize a short film with a team of other Indiana University filmmakers. The Center Grove High School graduates found out the parameters of the prestigious Make Your Mark film competition on Aug. 24, and immediately got to work.
November 2, 2018, 12:22 PM
https://www.youtube.com/watch?v=xBMmXzHQqpI
Year after year, the Avid Customer Association’s annual Connect gathering—right before the NAB Show—sets the course for media and entertainment technology in the year ahead. With digital transformation intensifying, Connect 2019 will create a map to success amid shifts in viewer behavior, the onset of digital-native companies, and rising competition in content creation, curation and distribution. JOIN US IN 2019: https://www.avid.com/connect
November 2, 2018, 12:22 PM
https://lesterbanks.com/2018/11/working-trapcode-p...
Creative Dojo Offers Some Insights Into Trapcode Particular Fluids With This First Look and Overview. Re Giant mad a splash with the addition of a new dynamics system to parts of the Trapcode Suite. Trapcode
November 2, 2018, 12:21 PM
http://www.fcp.co/final-cut-pro/tutorials/2124-str...
We have covered making smaller proxies in Final Cut Pro X and sharing those with a remote editor a few times before. Jordan Smith takes it a stage further and streamlines the workflow into a quick & simple process.
November 2, 2018, 12:21 PM
https://lesterbanks.com/2018/11/naming-c4d-using-t...
Ace5 Studios Shows How to Use Tokens for Easy File Path and File Naming in Cinema 4D. Anything that can save you some time is worth it. It doesn’t have to be huge. Just little
November 2, 2018, 12:21 PM
http://saeditores.org/Novedades/Lautaro-Colace-SAE...
En el marco del 16° Tandil Cine, Lautaro Colace (SAE) recibió el Premio al Mejor Montaje dentro de la categoría Competencia Oficial de Largometrajes, por su trabajo en el documental “Esto no es un golpe”, dirigido por Sergio Wolf.
November 2, 2018, 12:21 PM
http://saeditores.org/Novedades/La-SAE-organizo-el...
El 27 de Octubre último se llevó a cabo el 4to encuentro de Editorxs organizado por la SAE, en la sala Augusto Cortázar de la Biblioteca Nacional.
November 2, 2018, 12:21 PM
http://www.philiphodgetts.com/2018/11/using-techno...
The best apps come from a need: either personal or an obvious industry need.
November 2, 2018, 12:20 PM
https://www.creativebloq.com/features/jurassic-wor...
In J.A. Bayona's Jurassic World: Fallen Kingdom, Owen Grady and Claire Dearing return to Isla Nublar to save the remaining dinosaurs from an erupting volcano. However, their efforts are undermined by those with more nefarious plans for the prehistoric beasts. Just under 1,200 visual effects shots were supervised by David Vickery, with help from his ILM colleagues in London and Vancouver, along with other contributors.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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